This Library Contains:  86 IRs over 308 Megs and Includes

L300 – 31 responses, 86M
T4000 (Bonus) – 5 responses, 22M
K8 – 23 responses, 78M
D3000 – 27 responses, 122M
Total:  86 responses, 308M

The True Stereo 3 library contains samples of some of the classic digital reverb work horses. As with our traditional library content, all of these vintage DSP reverb files, are all recorded at 24-bits, 96 kHz.

These preset names are derived from the original unit presets. Like our stereo Convology XT library, Impulse Record worked with studios from around the world and partnered with those studios with a track record of quality, with understanding and knowledge of not only convolution reverb, but knowledge that we could use to incorporate within a first class True Stereo Library. As with our traditional Convology XT libraries, most of these units sampled have been used with many legendary artists.

While some go to extreme and in some cases obscene file sizes and sampling rates, only to bog down end user resources and RAM,  we have maintained the ratio between undeniable quality and incredible efficiency.  That’s not easy to do with True Stereo as the files are really double in size.

As Convology XT continues to grow, one of the areas we have been focusing on has been True Stereo.  In large part, this is because of a large and ever increasing user base that has been asking for it – and for good reason.  It’s an amazing library!  The True Stereo files captured in this library are more than stunning, they’re some of the best, if not the best, you’ll ever work with!

(True Stereo Home)

L300 – Released in 1989 – 18 bit, with a sampling frequency of 48k and frequency response between 10Hz – 21.5 kHz,  was an advance of Lexicon from many units that preceded it.  Beautiful stereo imaging and lush dense reverbs, gave this unit the same iconic sound of its predecessors that would be a favorite of many at the time of release.

T4000 – the 4000 came out after the 5000 and 6000 using many of the same True Stereo reverbs, in those units,  that the 5000 and 6000 units were known for.  Gorgeous spaces from very small to large  are incredibly realistic.  A true competitor in the market and still is today.  Designed with 24 bit AD/DA converters and 44.1 to 96kHz Sample Rates.

D3000 – released in 1987 with a 16 bit/44.1 sampling frequency, giving this unit a frequency response of 20Hz to 20kHz.  This was a mid level reverb unit that was acquired by many who couldn’t afford the iconic names and units of the day.  Still has some very nice sounds, with these units found in many studios even today.

K8 – released in 2002 in 24 bit, with a 128x oversampling, gave this unit a sampling frequency of 44.1/48kHz.  Frequency response between 20Hz and 20kHz was the production standard.  This unit never got the attention and fanfare that many of the other manufacturers of the day, but sounds simply amazing.  Wonderful pallets of spaces of all kinds, make this unit  really stand out.