Convology XT Presets and Gear Names

Convology Complete Library Presets

80s-90s DSP1 – Basic

100 – Attack Delay 1
100 – Attack Delay 2 1
100 – Attack Delay 2 2
100 – Attack Delay 2 3
100 – Attack Delay 2
100 – Attack Delay 3
100 – Cathedral 1
100 – Cathedral 2
100 – Cathedral 3
100 – Deep Reverb 1 vs 1
100 – Deep Reverb 1 vs 2
100 – Deep Reverb 1 vs 3
100 – Deep Reverb 2 vs 1
100 – Deep Reverb 2 vs 2
100 – Deep Reverb 2 vs 3
100 – Delay L to R 1
100 – Delay L to R 2
100 – Delay Left Channel 1
100 – Delay Left Channel 2
100 – Delay Left Channel 3
100 – Delay R to L 1
100 – Delay R to L 2
100 – Delay R to L 3
100 – Delay Right Channel 1
100 – Delay Right Channel 2
100 – Delay Right Channel 3
100 – Delayed Reverb 1
100 – Delayed Reverb 2
100 – Delayed Reverb 3
100 – Doubler 1
100 – Doubler 2
100 – Doubler 3
100 – E R Filter
100 – Echo Gate 1
100 – Echo Gate 2
100 – Echo Gate 3
100 – Echo Left 1
100 – Echo Left 2
100 – Echo Left 3
100 – Echo Right 1
100 – Echo Right 2
100 – Echo Right 3
100 – Hard Room 1
100 – Hard Room 2
100 – Hard Room Gate 1
100 – Hard Room Gate 2
100 – Large Church 1
100 – Large Church 2
100 – Large Church 3
100 – Large Club 1
100 – Large Club 2
100 – Large Club 3
100 – Large Hall 1
100 – Large Hall 2 Vs 1
100 – Large Hall 2 Vs 2
100 – Large Hall 2 Vs 3
100 – Large Hall 2
100 – Large Hall 3
100 – Live Room 1
100 – Live Room 2
100 – Long Gate 1
100 – Mid Size Hall 1
100 – Mid Size Hall 2
100 – Mid Size Hall 3
100 – Multi Echo 1
100 – Multi Echo 2
100 – Multi Echo 3
100 – Multi Pong 1
100 – Multi Pong 2
100 – Ping Pong Delay 1
100 – Ping Pong Delay 2
100 – Ping Pong Delay 3
100 – Ping Pong Gate
100 – Plate Echo 1
100 – Plate Echo 2
100 – Plate Echo 3
100 – Resonant Space
100 – Reverse Echo 1
100 – Reverse Echo 2
100 – Ring Doubler 1
100 – Ring Doubler 2
100 – Ring Doubler 3
100 – Scratch Plate 1
100 – Scratch Plate 2
100 – Scratch Plate 3
100 – Short Gate 1 Vs 1
100 – Short Gate 1 Vs 2
100 – Short Gate 1 Vs 3
100 – Short Gate 2 Vs 1
100 – Short Gate 2 Vs 2
100 – Short Gate 2 Vs 3
100 – Slap Attack 1
100 – Slap Attack 2
100 – Slap Attack 3
100 – Slap Reverb 1
100 – Slap Reverb 2
100 – Slap Reverb 3
100 – Small Club 1
100 – Small Club 2
100 – Small Club 3
100 – Small Hall 1
100 – Small Hall 2
100 – Small Hall 3
100 – Soft Reflections 1
100 – Soft Reflections 2
100 – Soft Reflections 3
100 – Solo Reverb 1
100 – Solo Reverb 2
100 – Solo Reverb 3
100 – Standing Chorus 1
100 – Standing Chorus 2
100 – Standing Chorus 3
100 – Standing Filter
100 – Stereo Echo 1
100 – Stereo Echo 2 Vs 1
100 – Stereo Echo 2 Vs 2
100 – Stereo Echo 2 Vs 3
100 – Stereo Echo 2
100 – Stereo Echo 3
100 – Tight Gate
100 – Tunnel

1202

1202 – Ambience 1
1202 – Ambience 2
1202 – Ambience 3
1202 – Ambience 4
1202 – Ambience 5
1202 – Drums 1
1202 – Drums 2
1202 – Drums 3
1202 – Drums 4
1202 – Drums 5
1202 – Echo 1 Vs 1
1202 – Echo 1 Vs 2
1202 – Echo 1 Vs 3
1202 – Echo 1 Vs 4
1202 – Echo 1 Vs 5
1202 – Echo 2 Vs 1
1202 – Echo 2 Vs 2
1202 – Echo 2 Vs 3
1202 – Echo 2 Vs 4
1202 – Echo 3 Vs 1
1202 – Echo 3 Vs 2
1202 – Echo 3 Vs 3
1202 – Echo 3 Vs 4
1202 – Hall 1
1202 – Hall 2
1202 – Hall 3
1202 – Hall 4
1202 – Hall 5
1202 – Orch 1
1202 – Orch 2
1202 – Orch 3
1202 – Orch 4
1202 – Orch 5
1202 – Percus 1
1202 – Percus 2
1202 – Percus 3
1202 – Percus 4
1202 – Percus 5
1202 – Plate 1
1202 – Plate 2
1202 – Plate 3
1202 – Plate 4
1202 – Plate 5
1202 – Room 1
1202 – Room 2
1202 – Room 3
1202 – Room 4
1202 – Room 5
1202 – Session 1
1202 – Session 2
1202 – Session 3
1202 – Session 4
1202 – Session 5
1202 – Solo 1
1202 – Solo 2
1202 – Solo 3
1202 – Solo 4
1202 – Solo 5
1202 – Stereo Delay 1 Vs 1
1202 – Stereo Delay 1 Vs 2
1202 – Stereo Delay 1 Vs 3
1202 – Stereo Delay 1 Vs 4
1202 – Stereo Delay 1 Vs 5
1202 – Stereo Delay 1 Vs 6
1202 – Stereo Delay 2 Vs 1
1202 – Stereo Delay 2 Vs 2
1202 – Stereo Delay 2 Vs 3
1202 – Stereo Delay 2 Vs 4
1202 – Stereo Delay 2 Vs 5
1202 – Stereo Delay 2 Vs 6
1202 – Stereo Delay 3 Vs 1
1202 – Stereo Delay 3 Vs 2
1202 – Stereo Delay 3 Vs 3
1202 – Stereo Delay 4 Vs 1
1202 – Stereo Delay 4 Vs 2
1202 – Stereo Delay 4 Vs 3
1202 – Stereo Delay 4 Vs 4
1202 – Stereo Delay 4 Vs 5
1202 – Studio 1
1202 – Studio 2
1202 – Studio 3
1202 – Studio 4
1202 – Studio 5
1202 – Vocal Verb 1
1202 – Vocal Verb 2
1202 – Vocal Verb 3
1202 – Vocal Verb 4
1202 – Vocal Verb 5

3D – Chamber – Long
3D – Chamber – Longest
3D – Chamber – Medium
3D – Chamber – Short
3D – Chamber – Shortest
3D – Church – Long
3D – Church – Longest
3D – Church – Medium
3D – Church – Short
3D – Church – Shortest
3D – Gate 1
3D – Gate 2
3D – Gate 3
3D – Gate 4
3D – Gate 5
3D – Hall – Long
3D – Hall – Longest
3D – Hall – Medium
3D – Hall – Short
3D – Hall – Shortest
3D – Reverse – Long
3D – Reverse – Longest
3D – Reverse – Medium
3D – Reverse – Short
3D – Reverse – Shortest
3D – Room – Long
3D – Room – Longest
3D – Room – Medium
3D – Room – Short
3D – Room – Shortest
3D – Stereo Delay – Long
3D – Stereo Delay – Longest
3D – Stereo Delay – Medium
3D – Stereo Delay – Short
3D – Stereo Delay – Shortest
3D – Studio – Long
3D – Studio – Medium
3D – Studio – Short
3D- Stereo Delay – Longer

501 – Delay 1 and 8 Combined
501 – Delay 1 and 9 Combined
501 – Delay 10 and 11 Ping Pong
501 – Delay 10
501 – Delay 11
501 – Delay 12
501 – Delay 13 Left to Right
501 – Delay 13
501 – Delay 15 and 16 Ping Pong
501 – Delay 15
501 – Delay 16 and 17 Ping Pong
501 – Delay 16
501 – Delay 17
501 – Delay 18 Left to Right
501 – Delay 18
501 – Delay 20
501 – Delay 21 Stereo Staggered
501 – Delay 21
501 – Delay 5
501 – Delay 6
501 – Delay 7
501 – Delay 8
501 – Delay 9

D128

D128 – 3 Delay
D128 – 3 Tap
D128 – Arena
D128 – Baroque Chamber
D128 – Baroque Hall
D128 – Bright Reverb
D128 – Bright Small Room DBl w Delay
D128 – Classical Hall
D128 – Dark Fast Gated Reverb
D128 – Dark Fast Reverse Reverb
D128 – Dark Gated Verb w Double
D128 – Early Reverb w Long Delay
D128 – Early Reverse Reverb
D128 – Fast Gated Reverb
D128 – Fast Reverse Reverb w Slapback
D128 – Gated Reverb w Delay
D128 – Gated Reverb w Long Delay
D128 – Gated Reverb
D128 – Large Cathedral
D128 – Large Gated Reverb
D128 – Large Room 2
D128 – Large Room w Delay 1
D128 – Large Room w Delay 2
D128 – Large Room w Delay 3
D128 – Large Room
D128 – Late Reverse Reverb
D128 – Later Reverb w Long Delay
D128 – Lecture Hall
D128 – Live Large Room 1
D128 – Live Large Room 2
D128 – Live Large Room 3
D128 – Live Large Room 4
D128 – Live Medium Room 1
D128 – Live Medium Room 2
D128 – Live Medium Room 3
D128 – Marble Chamber
D128 – Medium Gated Reverb
D128 – Medium Reverse Reverb
D128 – Medium Room 2
D128 – Medium Room 3
D128 – Medium Room Delay 1
D128 – Medium Room w Delay 1
D128 – Medium Room w Delay 2
D128 – Medium Room w Delay 3
D128 – Medium Room w Delay 4
D128 – Medium Room w Delay 5
D128 – Medium Room
D128 – Opera House
D128 – Parametric w Delay
D128 – Parametric w Long Delay
D128 – Parametric w Slapback
D128 – Parking Terrace
D128 – Percussion Chamber
D128 – Reverse Reverb
D128 – Shower
D128 – Side to Side Delay
D128 – Side to Side
D128 – Slow Gated Reverb
D128 – Small Cathedral
D128 – Small Room 1
D128 – Small Room 2
D128 – Small Room 3
D128 – Small Room 4 w Delay
D128 – Small Room w Delay
D128 – Small Room w Double
D128 – Small Room
D128 – Soft Chamber
D128 – Soft Reverb
D128 – Studio
D128 – Theater
D128 – Thin Small Room
D128 – Tight Small Room w Delay
D128 – Tight Small Room
D128 – Train Station
D128 – Warm Reverb
D128 – Warm Small Room w Slapback
D128 – Warm Small Room
D128 – Water Tank

Dfex

Dfex – Bright Dly 10
Dfex – Bright Dly 2
Dfex – Bright Dly 4
Dfex – Bright Dly 6
Dfex – Bright Dly 8
Dfex – Cathedral 1
Dfex – Cathedral 2
Dfex – Cathedral 3
Dfex – Cathedral 4
Dfex – Chamber 1
Dfex – Chamber 2
Dfex – Chamber 3
Dfex – Chamber 4
Dfex – Dark Dly 10
Dfex – Dark Dly 2
Dfex – Dark Dly 4
Dfex – Dark Dly 6
Dfex – Dark Dly 8
Dfex – Delay Verb 1
Dfex – Delay Verb 2
Dfex – Delay Verb 3
Dfex – Delay Verb 4
Dfex – Gated Reverb 1
Dfex – Gated Reverb 2
Dfex – Gated Reverb 3
Dfex – Gated Reverb 4
Dfex – Ping Pong Dly 10
Dfex – Ping Pong Dly 2
Dfex – Ping Pong Dly 4
Dfex – Ping Pong Dly 6
Dfex – Ping Pong Dly 7
Dfex – Ping Pong Dly 8
Dfex – Ping Pong Dly 9
Dfex – Ping Pong Dly Fun 2
Dfex – Ping Pong Dly Fun 3
Dfex – Ping Pong Dly Fun 4
Dfex – Plate 1
Dfex – Plate 2
Dfex – Plate 3
Dfex – Plate 4
Dfex – Reverse Reverb 1
Dfex – Reverse Reverb 2
Dfex – Reverse Reverb 3
Dfex – Reverse Reverb 4
Dfex – Room 1
Dfex – Room 2
Dfex – Room 3
Dfex – Room 4
Dfex – Spring 1
Dfex – Spring 2
Dfex – Spring 3
Dfex – Spring 4
Dfex – Warm Dly 10
Dfex – Warm Dly 2
Dfex – Warm Dly 4
Dfex – Warm Dly 6
Dfex – Warm Dly 8

G-5 – 12 Strings
G-5 – 120 Picks
G-5 – 2 Part Verb
G-5 – A Summer
G-5 – Aero City
G-5 – Alabama
G-5 – Andaluces
G-5 – Ark of Diver
G-5 – Arpeggio
G-5 – Atomic
G-5 – Bad Love
G-5 – BluesOMatic
G-5 – Boston City
G-5 – Bottom Flg
G-5 – Chicken Pick
G-5 – Dire Crunch
G-5 – Dolls w Pins
G-5 – Duck Dly 100 115
G-5 – Duck Dly 140 155
G-5 – Duck Dly 180 195
G-5 – Duck Dly 220 235
G-5 – Duck Dly 260 275
G-5 – Duck Dly 300 315
G-5 – Duck Dly 330 340
G-5 – Dyer Maker
G-5 – Ed Jungle
G-5 – Edge Tone
G-5 – Emaj 3rd Up
G-5 – Falling U D
G-5 – Final Dreams
G-5 – Flange a Bit
G-5 – Funky Bass
G-5 – Giant Killer
G-5 – Hall .5 Second
G-5 – Hall 1 Second
G-5 – Hall 2 Seconds
G-5 – Hall 3 Seconds
G-5 – Hall 4 Seconds
G-5 – Hall 5 Seconds
G-5 – Hall 8 Seconds
G-5 – Jazz C Mix
G-5 – JBs Canyon
G-5 – Kiss The Sky
G-5 – Lead Girth
G-5 – Lead Stealin
G-5 – Lead Tube Slave
G-5 – Livin In the End
G-5 – Lukes Lair
G-5 – Mega Grunge
G-5 – Metallic – A
G-5 – Money For
G-5 – Natural Delay
G-5 – Pauls Plate
G-5 – Plant Charis
G-5 – Plate .5 Second
G-5 – Plate 1 Second
G-5 – Plate 2 Seconds
G-5 – Plate 3 Seconds
G-5 – Plate 4 Seconds
G-5 – Plate 5 Seconds
G-5 – Plate 8 Seconds
G-5 – Plush Tone
G-5 – R U Jimmy
G-5 – RackOMatic
G-5 – Robbens Den
G-5 – Rockabilly
G-5 – Rocky Mtn
G-5 – Room .5 Second
G-5 – Room 1 Second
G-5 – Room 2 Seconds
G-5 – Room 3 Seconds
G-5 – Room 4 Seconds
G-5 – Rotating Hill
G-5 – Samba Note
G-5 – School Plexi
G-5 – Sky Sound
G-5 – Slapping Bass
G-5 – Slidin Down
G-5 – Solo E Minor 3rd
G-5 – Sonny Lead
G-5 – South Fried
G-5 – Space Flanging
G-5 – Spin Tone
G-5 – St Delay 128 256
G-5 – St Delay 130 150
G-5 – St Delay 160 185
G-5 – St Delay 200 225
G-5 – St Delay 240 265
G-5 – St Delay 275 300
G-5 – St Delay 310 340
G-5 – Time Gap
G-5 – Tm Delay 100
G-5 – Tm Delay 110
G-5 – Tm Delay 120
G-5 – Tm Delay 130
G-5 – Tm Delay 140
G-5 – Tm Delay 150
G-5 – Tm Delay 160
G-5 – Tm Delay 170
G-5 – Tm Delay 180
G-5 – Tm Delay 90
G-5 – Top of the
G-5 – Top This
G-5 – Tp Delay 100 140
G-5 – Tp Delay 140 180
G-5 – Tp Delay 180 220
G-5 – Tp Delay 220 260
G-5 – Tp Delay 260 300
G-5 – Tp Delay 300 340
G-5 – Transparent
G-5 – Tuff Enuff
G-5 – Valve Grunge
G-5 – Wet Chorus
G-5 – Wood Room

Multi

Multi – Back of the Hall
Multi – Big Bright Room
Multi – Big Dark Vocal
Multi – Bight Plate
Multi – Bright Deep Hall
Multi – Bright Front Plate
Multi – Bright Long Hall
Multi – Bright Plate
Multi – Bright Room
Multi – Carnegie Hall
Multi – Church Hall 1
Multi – Church Hall 2
Multi – Close Dark Hall
Multi – Close Plate
Multi – Close Room
Multi – Crystal Cathedral
Multi – Dark Plate 2
Multi – Dark Plate
Multi – Dark Room
Multi – Deep Med Plate
Multi – Deep Plate
Multi – Deeper Plate
Multi – Drum Chamber
Multi – Echoes Tonight
Multi – Flat Gate
Multi – Front of the Hall
Multi – Front Row Infinite
Multi – Inf Dark Plate
Multi – Infinite Darkness
Multi – Infinite Space
Multi – Long Room
Multi – Med Close Hall
Multi – Med Close Plate
Multi – Med Dark Room
Multi – Med Deep Hall
Multi – Med Deep Plate
Multi – Medium Cathedral
Multi – Medium Chamber
Multi – Medium Hall
Multi – Medium Plate
Multi – Medium Vocal
Multi – Notre Dame
Multi – Open Plate
Multi – Open Room
Multi – Penn Central
Multi – Reverse Gate
Multi – Short Dark Hall
Multi – Short Plate
Multi – Short Vocal
Multi – Small Chamber
Multi – Smooth Gate
Multi – St Pauls Cathedral
Multi – Stone Cathedral
Multi – Studio Fat Gate
Multi – Studio Plate
Multi – Studio Room
Multi – Westminster Abbey
Multi – Wood Ceiling Hall

Quad

Quad – 00
Quad – 01
Quad – 02
Quad – 04
Quad – 05
Quad – 06
Quad – 08
Quad – 10
Quad – 11
Quad – 111
Quad – 112
Quad – 113
Quad – 114
Quad – 115
Quad – 118
Quad – 119
Quad – 12
Quad – 120
Quad – 121
Quad – 122
Quad – 123
Quad – 124
Quad – 125
Quad – 126
Quad – 127
Quad – 128
Quad – 129
Quad – 13
Quad – 130
Quad – 131
Quad – 132
Quad – 133
Quad – 134
Quad – 135
Quad – 136
Quad – 137
Quad – 14
Quad – 140
Quad – 141
Quad – 142
Quad – 143
Quad – 144
Quad – 145
Quad – 146
Quad – 147
Quad – 148
Quad – 149
Quad – 150
Quad – 151
Quad – 152
Quad – 153
Quad – 154
Quad – 155
Quad – 16
Quad – 17
Quad – 18
Quad – 19
Quad – 20
Quad – 22
Quad – 23
Quad – 24
Quad – 26
Quad – 27
Quad – 29

80s-90s DSP2 – Classic

880 – Ambience
880 – Brass Hall
880 – Brass Plate
880 – Brass Room
880 – Compression Reverb
880 – Deep LV Room
880 – Drums Clear
880 – Drums Garage
880 – EP Room 2
880 – EP Room
880 – Famous Plate
880 – German Plate Emulation
880 – Jet Reverb
880 – Kick Ambience
880 – Kick Room
880 – Kitchen
880 – Perc Ambience
880 – Piano Hall
880 – Reverse Gate
880 – RS Coloration
880 – Snare Drum
880 – Stereo Delay Long
880 – Stereo Delay Medium
880 – Stereo Delay Short
880 – Stereo Delay Shortest
880 – Strings Hall
880 – Strings Room 2
880 – Strings Room
880 – Tite Snare
880 – Vocal Bright Plate
880 – Vocal Bright Room
880 – Vocal Hall
880 – Vocal Room
880 – Vocal Warm Plate
880 – Warehouse

D-4 – Arena
D-4 – Dual Delay Fun
D-4 – Large Room
D-4 – Living Room
D-4 – Medium Hall
D-4 – Non Linear Reverb
D-4 – Plate
D-4 – Room + Delay
D-4 – Small Club
D-4 – Small Hall
D-4 – Small Room Back Wall
D-4 – Small Room

D2000

D2000 – Ambient Room 100 Percent
D2000 – Basic Echo and Rev 1.8 Second
D2000 – Bright Room Ambience 0
D2000 – Church 2.7 Second
D2000 – Comet
D2000 – Concrete Room Amb 20 Percent
D2000 – Cross Feedback 1 L Ch 150 ms
D2000 – Cross Feedback 1 Lch 175 Rch 350
D2000 – Cross Feedback 1 Lch 200 Rch 400
D2000 – Cross Feedback 1 Lch 25 Rch 50
D2000 – Cross Feedback 2 L Ch 100 ms
D2000 – Delay and Rev 1.5 Second
D2000 – Delay and Reverb 3 Time 3.2 Second
D2000 – Delay Right 100 ms
D2000 – Delay Right Lch 150 Rch 220
D2000 – Delay Right Lch 200 Rch 260
D2000 – Delayed Feedback L Ch 350 ms
D2000 – Diffused Gate 1
D2000 – Diffused Gate 2 Size 35
D2000 – Diffused Gate 3 50 Percent
D2000 – Doubling Reverb 1.1 Second
D2000 – Dual Delay 212 ms
D2000 – Dual Delay 240 ms
D2000 – Dual Delay 280 ms
D2000 – Dual Delay 320 ms
D2000 – Ensemble Rev Time 5.2 Second
D2000 – Garage 2.6 Second
D2000 – Gate Reverb Size 20
D2000 – Gate Reverb Size 30
D2000 – Gate Reverb Size 40
D2000 – Gate Reverb Size 50
D2000 – Gated Garage 2.6
D2000 – Gated Large Hall 2.2 Second
D2000 – Gated Rever 2 Size 41
D2000 – Gated Roll Gate 44
D2000 – Gated Room Ambience
D2000 – Gymnasium 3.9 Second
D2000 – Huge Inst Plate 4 Second
D2000 – Huge Vocal Plate 3 Second
D2000 – Instrument 1.4 Second
D2000 – Large Garage 3 Second
D2000 – Large Hall 2.4 Second
D2000 – Large Plate 2.2 Second
D2000 – Long Tunnel 10 Second
D2000 – Medium Garage 1.9 Second
D2000 – Metal Mod Freq 8
D2000 – Percussion 2.1 Second
D2000 – Ping Pong 2 300 ms
D2000 – Ping Pong 2 Lch 350 Rch 328
D2000 – Ping Pong 3 200 ms
D2000 – Ping Pong 3 Lch 100 Rch 48
D2000 – Ping Pong 3 Lch 150 Rch 98
D2000 – Ping Pong 344 ms
D2000 – Reflection Pan 32 ms
D2000 – Reflection Pan Lch 48 Rch 96
D2000 – Reflection Pan Lch 75 Rch 150
D2000 – Rev lev Delay 4 Second
D2000 – Rev Level Gate 1.8 Second
D2000 – Rev Velocity 1 Second
D2000 – Reverb Left Echo 2.6 Second
D2000 – Reverse Gate 1 Size 3
D2000 – Reverse Gate 1 Size 5
D2000 – Reverse Gate 1 Size 7
D2000 – Reverse Gate 1 Size 9
D2000 – Reverse Gate 2 10 Percent
D2000 – Reverse Gate 2 30 Percent
D2000 – Reverse Gate 2 40 Percent
D2000 – Reverse Gate 2 50 Percent
D2000 – Reverse Gate 2 Size 20 Percent
D2000 – Room Ambience 28 Percent
D2000 – Slap and Reverb Left 2.6 Second
D2000 – Small Garage 0.6 Second
D2000 – Small Hall Live 0.4 Second
D2000 – Small Plate
D2000 – Small Room Amb 14 Percent
D2000 – Space Pan Speed 10
D2000 – Stadium 1.8 Second
D2000 – Stereo Delay 1 L Ch 30 ms
D2000 – Stereo Delay 2 50 ms
D2000 – Stereo Delay 200 ms
D2000 – Stereo Delay 3 L Ch 120 ms
D2000 – Stereo Delay 4 L Ch 170 ms
D2000 – Stereo Doubling 40 ms
D2000 – Stereo Echo 100 ms
D2000 – Stereo Echo 3 Left 245 ms
D2000 – Stereo Pan Speed 3
D2000 – Stereo Slap Echo L Ch 67 ms
D2000 – Stereo Slap Echo Lch 100 Rch 142 ms
D2000 – Stereo Slap Echo Lch 150 Rch 193 ms
D2000 – Vari Depth Pan Speed 7
D2000 – Vari Speed Pan Speed 10
D2000 – Variable Gate 1 Gate 50
D2000 – Variable Gate 2
D2000 – Variable Gate 3 Size 40
D2000 – Vocal 1.9 Second
D2000 – Vocal Plate 1 1.4 Second
D2000 – Vocal Plate 2.5 Second
D2000 – Vocal Plate 2
D2000 – Vocal Plate 3 2.4 Second
D2000 – Vocal Plate 4 Second
D2000 – Warehouse 0.8 Second
D2000- Gated Small Hall
D2000- Small Hall 1 Second
D2000- Space Pan Speed 7

DE-5

DE-5 – 1 Second Pan Delay
DE-5 – Auditorium
DE-5 – Bass
DE-5 – Bright Dome
DE-5 – Bright Room
DE-5 – Cathedral Large
DE-5 – Cathedral
DE-5 – Concert Hall 1
DE-5 – Concert Hall 2
DE-5 – Concert Hall Large
DE-5 – Concert Hall
DE-5 – Dark Room
DE-5 – Dense Gate
DE-5 – Echo 10
DE-5 – Echo 3
DE-5 – Echo 4
DE-5 – Echo 5
DE-5 – Echo 6
DE-5 – Echo 7
DE-5 – Echo 8
DE-5 – Echo 9
DE-5 – Echo
DE-5 – EQd Slap
DE-5 – Guitar
DE-5 – Hard Gate
DE-5 – Inverse Room 1
DE-5 – Inverse Room 2
DE-5 – Kitchen 1
DE-5 – Kitchen 2
DE-5 – Large Auditorium
DE-5 – Large Bright Room
DE-5 – Long Gate
DE-5 – Long Hall
DE-5 – Medium Concert Hall
DE-5 – Metallic Tank 1
DE-5 – Metallic Tank 2
DE-5 – Muted Guitar
DE-5 – Natural Reverb Long
DE-5 – Natural Reverb Medium
DE-5 – Natural Reverb Small
DE-5 – Natural Reverb
DE-5 – Non Linear Gated Room 1
DE-5 – Non Linear Gated Room 2
DE-5 – Non Linear Gated Room 3
DE-5 – Non Linear Gated Room 4
DE-5 – Non Linear Gated Room 5
DE-5 – Non Linear Room
DE-5 – Pan Gate 2
DE-5 – Pan Gate 3
DE-5 – Pan Gate 4
DE-5 – Pan Gate 5
DE-5 – Pan Gate 6
DE-5 – Pan Gate
DE-5 – Pan Richochet 2
DE-5 – Pan Richochet 3
DE-5 – Pan Richochet 4
DE-5 – Pan Richochet 5
DE-5 – Pan Richochet
DE-5 – Pan Slaps 1
DE-5 – Pan Slaps 3
DE-5 – Pan Slaps 4
DE-5 – Pan Slaps 5
DE-5 – Pan Slaps 6
DE-5 – Pan Slaps 7
DE-5 – Pan Slaps 8
DE-5 – Pan Slaps
DE-5 – Panning Bounce
DE-5 – Panning Delay
DE-5 – Piano
DE-5 – Plate 2
DE-5 – Plate
DE-5 – Predelay Long Hall
DE-5 – Regeneration Reversed Pan
DE-5 – Reverse Bounce 2
DE-5 – Reverse Bounce
DE-5 – Reverse Bounce1
DE-5 – Reversed Gate
DE-5 – Rise and Fall
DE-5 – Sax
DE-5 – Small Bright Room
DE-5 – Small Concert Hall
DE-5 – Small Panning Room
DE-5 – Snare Plate Short
DE-5 – Snare
DE-5 – Space
DE-5 – Special 1
DE-5 – Special Room 2
DE-5 – Spinners
DE-5 – Sublimation
DE-5 – Tiled Room
DE-5 – Total Balance
DE-5 – Vibrato and Echo
DE-5 – Voice
DE-5- Stereo Filtered Delay

E3000

E3000 – .25 Second Ping Pong Stereo
E3000 – .25 Second Stereo – Long – Tandem
E3000 – .25 Second Stereo – Medium – Tandem
E3000 – .25 Second Stereo – Short – Tandem
E3000 – .5 Second Ping Pong Stereo
E3000 – .5 Second Stereo – Long – Tandem
E3000 – .5 Second Stereo – Medium – Tandem
E3000 – .5 Second Stereo – Short – Tandem
E3000 – 1 Second Stereo Delay – Long – Tandem
E3000 – 1 Second Stereo Delay – Medium – Tandem
E3000 – 1 Second Stereo Delay – Short – Tandem
E3000 – 1 Second Stereo Sim Tape Delay – Long – Tandem
E3000 – 1 Second Stereo Sim Tape Delay – Medium – Tandem
E3000 – 1 Second Stereo Sim Tape Delay – Short – Tandem
E3000 – 1 Second Stereo Sim Tape Delay Ping Pong- Long – Tandem
E3000 – 1 Second Stereo Sim Tape Delay Ping Pong- Short – Tandem
E3000 – 1.5 Second Stereo Delay – Tandem
E3000 – 16th Second Stereo – Long- Tandem
E3000 – 16th Second Stereo – Medium- Tandem
E3000 – 16th Second Stereo – Short – Tandem
E3000 – 2 Second Stereo Delay – Tandem
E3000 – 3 Second Stereo Delay – Tandem
E3000 – SFX 1
E3000 – SFX 2
E3000 – SFX 3
E3000 – SFX 4
E3000 – SFX 5
E3000 – SFX 6
E3000- 1 Second Stereo Sim Tape Delay Ping Pong- Medium – Tandem

K-P8

K-P8 – 481 – 1.5 Seconds
K-P8 – 481 – 2 Seconds
K-P8 – 481 – 3 Seconds
K-P8 – 481 – 4 Seconds
K-P8 – 481 – 5 Seconds
K-P8 – 481 – 6 Seconds
K-P8 – 481 – 7 Seconds
K-P8 – Basic Delay 250
K-P8 – Basic Delay Eighth Note
K-P8 – Bassy Room – 0.9 Seconds
K-P8 – Bassy Room – 1.8 Seconds
K-P8 – Bassy Room – 2.6 Seconds
K-P8 – Better Tape Echo
K-P8 – Bright Empty Room
K-P8 – Bright Hall – 3.6 Seconds
K-P8 – Bright Plate – 2.1 Seconds
K-P8 – Bright Small Room – 1.2 Seconds
K-P8 – Bright Small Room – 1.6 Seconds
K-P8 – Bright Small Room – 2.4 Seconds
K-P8 – Bright Small Room
K-P8 – Cheap Tape Echo
K-P8 – Classic Chamber
K-P8 – Classic Chapel
K-P8 – Classic Plate – 0.6 Seconds
K-P8 – Classic Plate – 0.9 Seconds
K-P8 – Classic Plate – 1.2 Seconds
K-P8 – Classic Plate – 1.6 Seconds
K-P8 – Classic Plate – 2 Seconds
K-P8 – Classic Plate – 2.5 Seconds
K-P8 – Classic Plate – 3 Seconds
K-P8 – Classic Plate – 3.5 Seconds
K-P8 – Classic Plate – 4 Seconds
K-P8 – Classic Plate – 5 Seconds
K-P8 – Concert Hall
K-P8 – Cool Dark Place
K-P8 – Dense Hall
K-P8 – Grandiose Hall
K-P8 – Green Room
K-P8 – Huge Bat Cave
K-P8 – Huge Tight Plate
K-P8 – Large Room
K-P8 – Live Chamber
K-P8 – Medium Hall
K-P8 – Medium Large Room
K-P8 – Medium Warm Plate
K-P8 – Mosque Room
K-P8 – Natural Room – 0.38 Seconds
K-P8 – Natural Room – 1.2 Seconds
K-P8 – Natural Room – 1.6 Seconds
K-P8 – Natural Room – 2.2 Seconds
K-P8 – Natural Room – 3 Seconds
K-P8 – Natural Room – 4 Seconds
K-P8 – Natural Room
K-P8 – Opera House
K-P8 – Percussive Room – 1.2 Seconds
K-P8 – Percussive Room – 2 Seconds
K-P8 – Platey Room
K-P8 – Real Big Room
K-P8 – Real Plate
K-P8 – Reflective Hall
K-P8 – Reverse Reverb
K-P8 – Sax Chamber
K-P8 – Sizzly Drum Room
K-P8 – Small Dark Room
K-P8 – Small Drum Room
K-P8 – Small Hall
K-P8 – Small Wood Booth
K-P8 – Smooth Hall
K-P8 – Smooth Plate
K-P8 – Spitty Drum Room
K-P8 – Stereo Delay 600ms
K-P8 – Tabla Room
K-P8 – The Real Room
K-P8 – Thick Room
K-P8 – Tight Slap Back
K-P8 – Wide Slap Back
K-P8- Non Linear

M200

M200 – Very Large Plate 6.8 Seconds
M200 – Hall 3.3 Seconds
M200 – Huge Hall 9.8 Seconds
M200 – Inverse Room 1 Second
M200 – Inverse room 1.25 Seconds
M200 – L to R Pan Reverb
M200 – Large Chamber 3.9 Seconds
M200 – Large Hall 4 Seconds
M200 – Large Hall 5 Seconds Brighter
M200 – Large Hall 5 Seconds
M200 – Large Hall 6 Seconds
M200 – Large Plate 5.6 Seconds
M200 – Living Room .8 Seconds
M200 – Medium Chamber 2.2 Seconds
M200 – Medium Chamber 2.7 Seconds
M200 – Medium Hall 3.5 Seconds
M200 – Medium Large Chamber 2.9 Seconds
M200 – Plate 3.9 Seconds
M200 – Rich Plate 3 Seconds
M200 – Rich Plate 3.8 Seconds
M200 – Rich Plate 4.4 Seconds
M200 – Rich Plate 5.9 Seconds
M200 – Room 1.5 Seconds
M200 – Short Reverse
M200 – Small Auditorium 1.3 Seconds
M200 – Small Chamber 1.5 Seconds
M200 – Small Chamber
M200 – Small Hall 1.7 Seconds
M200 – Small Hall 2.1 Seconds
M200 – Small Room 1.1 Seconds
M200 – Small Room

M300

M300 – Ambience
M300 – Brick Wall
M300 – Car Interior
M300 – Chamber
M300 – Church
M300 – Contem Plate
M300 – Dance Hall
M300 – Deep End
M300 – Early Reflections
M300 – Gate It
M300 – Glossy Plate
M300 – Hangar
M300 – In a Room
M300 – Large Hall
M300 – Lecture Hall
M300 – Live Drum Room
M300 – Marble Foyer
M300 – Medium Hall
M300 – Oil Tanker
M300 – Perc Plate
M300 – Rehersal Room
M300 – Rich Plate
M300 – Scoring Stage
M300 – Small Hall
M300 – Small Room
M300 – Stairwell
M300 – Studio A
M300 – Studio B
M300 – Synth Hall
M300 – Warm Plate

P15 – Adrenaline Plate
P15 – Austrian Joy
P15 – Bright Hall
P15 – Bright Large Hall
P15 – Cathedral
P15 – Church Choir
P15 – Cloister
P15 – Concert Hall
P15 – Crazy Funk
P15 – Dark Plate Large
P15 – Dark Plate Short
P15 – Deep Ambience
P15 – Diana Wave
P15 – Double in Tube
P15 – Echo Room
P15 – Echoco
P15 – Echoes os os
P15 – Empty Space
P15 – Entertainers
P15 – Far Away
P15 – Fat Long Hall
P15 – Fat Short Hall
P15 – Gated Reverb
P15 – Gated Short
P15 – Glass House
P15 – Hip Hop Reverse
P15 – Hotel Floor
P15 – Ice Castle
P15 – Jazz Cellar
P15 – Jazz Hall
P15 – Large Hall
P15 – Life is life
P15 – Long Player
P15 – Lost in Space
P15 – Midnight Sun
P15 – On Stage
P15 – One more beer
P15 – Ping Pong
P15 – Plate It
P15 – Rap Voice
P15 – Reflect Chamber
P15 – Reflect Room
P15 – Reflecta
P15 – Reverse Gate
P15 – Room w Back Wall Slap
P15 – See the Stars
P15 – Session Room
P15 – Shatter Hall
P15 – Silver Plate
P15 – Slapping Hush
P15 – Soft Reverb
P15 – Studio Classic
P15 – Studio Clean
P15 – Super Drum
P15 – Super Snare
P15 – Swiss Alps Echo
P15 – The Reference
P15 – Vocal Repper
P15 – Warm House

R7 – Brass
R7 – Delay Left and Right Channel
R7 – Early Reflections 1
R7 – Early Reflections 2
R7 – Echo Reverb – Time 3.2 Sec
R7 – Echo Reverb – Time 4.5 Sec
R7 – Gate Reverb – Liveness 10
R7 – Gate Reverb – Liveness 5
R7 – Guitar
R7 – Handclaps
R7 – Kick
R7 – Large Hall
R7 – Live Reference
R7 – Long Hall – 4 Sec
R7 – Long Hall – 6 Sec
R7 – Percussion Plate
R7 – Piano
R7 – Reverb Flange
R7 – Reverse Gate
R7 – Small Hall
R7 – Snare
R7 – Spring Reverb – 3 Sec
R7 – Spring Reverb – 4 Sec
R7 – Spring Reverb – 6 Sec
R7 – Stereo Echo
R7 – Strings
R7 – Vocal Plate Reverb – Time 4
R7 – Vocal Plate
R7- Vocal Plate Reverb – Time 6

Roc – Abyssandova
Roc – Acoustic 2
Roc – Acoustic 4
Roc – Acoustic 5
Roc – Alcatraz
Roc – Arscholoch
Roc – Badlands
Roc – Ballad Lead
Roc – Ballerina
Roc – Breaking Up
Roc – Cemetary Gate
Roc – Clean Planet
Roc – Clean
Roc – Day Dream
Roc – Day of Eagle
Roc – DI Lead
Roc – DI Lizard
Roc – DI Rythm
Roc – Dirty Bag
Roc – Dragon Attack
Roc – Drink on Me
Roc – Echo Etude L
Roc – Endless Delay
Roc – Eric J
Roc – Erru Gal
Roc – Erruption
Roc – Get Lucky
Roc – God Blessed
Roc – Gzilla
Roc – Hal-1
Roc – Hellcasters
Roc – Hoey Licks
Roc – Hollow Body
Roc – Hollow Jazz
Roc – Huff and Meg
Roc – In Dublin
Roc – Just Swell
Roc – Light Tremelo
Roc – Long Time
Roc – Luke and Huff
Roc – Lukewarm
Roc – Main Clean
Roc – Mello Verb
Roc – Melodia
Roc – Melodic Min
Roc – Middle Pos
Roc – Milkman
Roc – Molly
Roc – Neils Dry
Roc – Neo Ed Lead
Roc – Padded Room
Roc – Phasenstein
Roc – Phy Phasen
Roc – Planet
Roc – PRS O Drive
Roc – Psychoholic
Roc – Rage Machine
Roc – Rooster
Roc – Ross Lead
Roc – Sant
Roc – Scheneker
Roc – Ska Chaser
Roc – Sleepy Head
Roc – Spink Dandruff
Roc – Surf Doggin
Roc – Sykedelisk
Roc – Toughy
Roc – Twin
Roc – Twister
Roc – Wa Da Funk
Roc – Wah Clean
Roc – Wah Wah
Roc – Wammy
Roc – Women In Love
Roc – YNG

S2000

S2000 – Hall – RT .8 Second
S2000 – Hall – RT 1 Second
S2000 – Hall – RT 1.6 Second
S2000 – Hall – RT 2.2 Seconds
S2000 – Hall – RT 2.7 Seconds
S2000 – Hall – RT 3.3 Seconds
S2000 – Hall – RT 4.2 Seconds
S2000 – Hall – RT 4.6 Seconds
S2000 – Hall – RT 5.2 Seconds
S2000 – Hall – RT 6.6 Seconds
S2000 – Hall – RT 7.9 Seconds
S2000 – Hall – RT 8.5 Seconds
S2000 – Hall RT 1.2 Seconds
S2000 – Non Linear – RT .1 Second Vs 2
S2000 – Non Linear – RT .1 Second
S2000 – Non Linear – RT .2 Second
S2000 – Non Linear – RT .4 Second
S2000 – Non Linear – RT .45 Second
S2000 – Non Linear – RT .8 Second
S2000 – Non Linear – RT 1 Second – Gate 200
S2000 – Non Linear – RT 2 Second – Gate 200
S2000 – Non Linear Reverse – RT .4 Second
S2000 – Non Linear Reverse – RT .6 Second
S2000 – Non Linear Reverse – RT .8 Seconds
S2000 – Non Linear Reverse RT .5 Second
S2000 – Plate A – RT .9 Second
S2000 – Plate A – RT 1.2 Second
S2000 – Plate A – RT 2 Seconds
S2000 – Plate A – RT 2.4 Seconds
S2000 – Plate A – RT 2.6 Seconds
S2000 – Plate A – RT 3.3 Seconds
S2000 – Plate A – RT 3.7 Seconds
S2000 – Plate A – RT 5 Seconds
S2000 – Plate A RT 10 Seconds
S2000 – Plate B – RT .8 Seconds
S2000 – Plate B – RT 1.2 Seconds
S2000 – Plate B – RT 1.4 Seconds
S2000 – Plate B – RT 1.5 Seconds
S2000 – Plate B – RT 2 Seconds
S2000 – Plate B – RT 2.7 Seconds
S2000 – Plate B – RT 3 Seconds
S2000 – Plate B – RT 3.5 Seconds
S2000 – Plate B – RT 3.9 Seconds
S2000 – Plate B – RT 4 Seconds
S2000 – Plate B – RT 5 Seconds
S2000 – Plate B RT 10 Seconds
S2000 – Room – RT .4 Second
S2000 – Room – RT .6 Seconds
S2000 – Room – RT .9 Second
S2000 – Room – RT 1.1 Seconds
S2000 – Room – RT 1.6 Seconds
S2000 – Room – RT 2.3 Seconds
S2000 – Room – RT 2.7 Seconds
S2000 – Room – RT 3.2 Seconds
S2000 – Room – RT 4 Seconds
S2000 – Room – RT 4.5 Seconds
S2000 – Room – RT 5 Seconds
S2000 – Room – RT 6 Seconds
S2000 – Room – RT 7 Seconds
S2000 – Room – RT 8 Seconds
S2000 – Room Simulate – .5 Second
S2000 – Room Simulate – Plate A – 2.5 Seconds
S2000 – Room Simulate – Plate B – 2.5 Seconds
S2000 – Room Simulate – Plate A RT 2.6 Seconds
S2000 – Room Simulate 03 – 3.5 Seconds
S2000 – Room Simulate 04 – 3 Seconds
S2000 – Room Simulate 05 – 2.5 Seconds
S2000 – Room Simulate 06 – 2.5 Seconds
S2000 – Room Simulate 07 – 2 Seconds
S2000 – Room Simulate 09 – 3.5 Seconds
S2000 – Room Simulate 10 – 3 Seconds
S2000 – Room Simulate 11 – 2.7 Seconds
S2000 – Room Simulate 12 – 2.4 Seconds
S2000 – Room Simulate 13 – 2 Seconds
S2000 – Room Simulate 14 – 1.3 Seconds
S2000 – Room Simulate 16 – .3 Seconds

V23 – Regeneration High 1
V23 – Regeneration High 10
V23 – Regeneration High 11
V23 – Regeneration High 12
V23 – Regeneration High 13
V23 – Regeneration High 14
V23 – Regeneration High 2
V23 – Regeneration High 3
V23 – Regeneration High 4
V23 – Regeneration High 5
V23 – Regeneration High 6
V23 – Regeneration High 7
V23 – Regeneration High 8
V23 – Regeneration High 9
V23 – Regeneration Low 1
V23 – Regeneration Low 10
V23 – Regeneration Low 11
V23 – Regeneration Low 12
V23 – Regeneration Low 13
V23 – Regeneration Low 14
V23 – Regeneration Low 2
V23 – Regeneration Low 3
V23 – Regeneration Low 4
V23 – Regeneration Low 5
V23 – Regeneration Low 6
V23 – Regeneration Low 7
V23 – Regeneration Low 8
V23 – Regeneration Low 9
V23 – Regeneration Mid 1
V23 – Regeneration Mid 10
V23 – Regeneration Mid 11
V23 – Regeneration Mid 12
V23 – Regeneration Mid 13
V23 – Regeneration Mid 14
V23 – Regeneration Mid 2
V23 – Regeneration Mid 3
V23 – Regeneration Mid 4
V23 – Regeneration Mid 5
V23 – Regeneration Mid 6
V23 – Regeneration Mid 7
V23 – Regeneration Mid 8
V23 – Regeneration Mid 9

V77 – 3D Cathedral
V77 – 3D Church
V77 – A’s Beethoven
V77 – Amp + Dry Plate
V77 – Analog Room
V77 – Back Stage
V77 – Bendin Echo
V77 – Bermuda Delay Long
V77 – Bermuda Delay Medium Long
V77 – Bermuda Delay Short
V77 – Board Room
V77 – Boston Hall Long
V77 – Boston Hall
V77 – Canyon Hall
V77 – Ch + Rv Morphing
V77 – Clear and Mellow
V77 – Clr Cathedral
V77 – Compu Meditate
V77 – Concert Hall
V77 – Crystal Keys
V77 – Crystal Plate
V77 – Dark Plate
V77 – Deca Pan Delay
V77 – Decca Panner
V77 – DeCHO Morphing
V77 – Delay Morphing II
V77 – Delay Morphing
V77 – Delay Reverb Morphing
V77 – Drum Booth
V77 – Drum Stretch
V77 – Dry Ambient
V77 – Dynamic Reverb
V77 – Echo Gate
V77 – Feedback Delay
V77 – Filter Plate
V77 – Flngr Morphing
V77 – Flybe Reverb
V77 – Front Back Hall
V77 – Gated Plate
V77 – Gem Plate
V77 – Gentle Delay
V77 – Gold Plate I
V77 – Gold Plate II
V77 – Haa Slow Steps
V77 – Hall Morphing
V77 – Hardwood Room
V77 – Harmonic 3rds
V77 – Harmonic Sparkle
V77 – Hold Delay
V77 – Icicle Delay
V77 – Idle Echo
V77 – Iron Plate
V77 – L to R Dly Plate
V77 – L to R Rolling
V77 – Large Hall 2
V77 – Large Hall
V77 – Large Plate
V77 – Laurido
V77 – Location Hall
V77 – Lyt Hiccups
V77 – Magic Reverb
V77 – Male Plate
V77 – Marble Plate
V77 – Melting Delay
V77 – Multi Ping Pong Delay
V77 – Mute Flybys
V77 – Narrate Booth
V77 – New Age Vox
V77 – NY City Lights
V77 – Off Micing
V77 – Ping Pong Delay
V77 – Pitch Crystals
V77 – Pitch Myst Echo
V77 – Pitched Delay
V77 – Plate Morphing
V77 – Platinum Plate
V77 – Power Chamber
V77 – Power Room
V77 – Pt + Ch Morphing
V77 – Pwr Amp Panner
V77 – Reflection
V77 – Richy Stones
V77 – Ripple Magic
V77 – Room Distance
V77 – Room Location
V77 – Sizzle Plate
V77 – Slam Gate
V77 – Small Bright Plate
V77 – Small Hall
V77 – Space Pan
V77 – Star Tinkler
V77 – Sustain Castle
V77 – Tempo Triangle
V77 – Tight 3D Room
V77 – Tight Chamber
V77 – Tight Gate
V77 – Track A Room
V77 – Triggered Pan
V77 – Vanilla Gate
V77 – Velocity Delay
V77 – Visual Vox
V77 – Vocal Chamber
V77 – Vocal Comp Reverb
V77 – Vocal Elek
V77 – Vocal Platz II
V77 – Vocal Platz
V77 – Warehouse
V77 – Whole Tone Gliss
V77 – Wide Plate
V77 – XP Vocal Platz

X16 – Long Ambience
X16 – Long Hall
X16 – Long Non Lin
X16 – Long Plate
X16 – Long Reverse
X16 – Long Room
X16 – Medium Ambience
X16 – Medium Hall 2
X16 – Medium Hall
X16 – Medium Non Lin
X16 – Medium Plate
X16 – Medium Reverse
X16 – Medium Room
X16 – Short Ambience
X16 – Short Hall 2
X16 – Short Hall 3
X16 – Short Hall
X16 – Short Non Lin
X16 – Short Plate
X16 – Short Reverse
X16 – Short Room

80s-90s DSP3 – Pro

2000

2000 – Airport Gate
2000 – At Home
2000 – BackWall Reflections
2000 – Big Church
2000 – Big Snare
2000 – Bright Mid Sized Hall
2000 – Chorus Reverb
2000 – Doubling Room
2000 – Empty Theater
2000 – Great Vocal Hall
2000 – Hall 2
2000 – High School Gym
2000 – Home Room
2000 – Large Cathedral
2000 – Nice Hall
2000 – Realistic Hall
2000 – Sidewall Reflections
2000 – SlapBack Room
2000 – Small Hall
2000 – Sounchk Empty Arena
2000 – Stone Wall
2000 – Synthesizer Reverb
2000 – Taj
2000 – The Core
2000 – The Shop
2000 – True Room
2000 – Very Big Hall
2000 – Vintage Hall
2000 – Warm Mid Sized Hall
2000 – Wood Floor

2016

2016 – Band Delay
2016 – Delayed Short Ping Pong
2016 – Dual Delay
2016 – Dual Digiplex
2016 – Famous Simulation
2016 – Hi Density Plate Shorter
2016 – Hi Density Plate
2016 – Long Digiplex
2016 – Long Hall
2016 – Medium Digiplex
2016 – Multi Tap Delay FX
2016 – Plate Reverb
2016 – Room Reverb Medium
2016 – Room Reverb Short
2016 – Room Reverb
2016 – Short Digiplex
2016 – Shorter Digiplex
2016 – Stereo Room Medium
2016 – Stereo Room Short
2016 – Stereo Room Shorter
2016 – Stereo Room
2016 – Time Scramble

224 – Dance Hall
224 – Large Concert Hall
224 – Large Ambience
224 – Large Cathedral
224 – Large Chamber
224 – Large Church
224 – Large Long Hall
224 – Long Vocal Plate
224 – Medium Chamber
224 – Medium Concert Hall
224 – Medium Percussion Plate
224 – Medium Plate
224 – Medium Room w Slap
224 – Medium Room
224 – Recital Hall
224 – Small Chamber
224 – Small Concert Hall
224 – Small Percussion Plate
224 – Small Plate
224 – Small Room
224 – Stage

2402

2402 – Ambient Space Huge
2402 – Arena
2402 – Auditorium Large
2402 – Backyard Big
2402 – Backyard Biggest
2402 – Backyard Medium
2402 – Backyard Small
2402 – Bedroom
2402 – Booth
2402 – Car Interior
2402 – Cathedral Large
2402 – Cathedral Largest
2402 – Cathedral Medium
2402 – Cathedral Small
2402 – Chapel Large
2402 – Chapel Medium
2402 – Chapel Small
2402 – Chapel Very Large
2402 – Choir Room
2402 – Church Large
2402 – Church Medium
2402 – Church Small
2402 – Church Very Large
2402 – Cinema Muffled Larger
2402 – Cinema Muffled
2402 – Closet
2402 – Coat Closet
2402 – Concert Hall Large
2402 – Concert Hall Small
2402 – Concert Hall
2402 – Dinging Hall Large
2402 – Famous Cathedral Large
2402 – Famous Cathedral Largest
2402 – Famous Cathedral Small
2402 – Large Ambient Space
2402 – Large Room
2402 – Medium Bright Room
2402 – Medium Chamber
2402 – Medium Room
2402 – Parking Garage Dark
2402 – Parking Garage
2402 – PlaDLY 1 – .5 Second
2402 – PlaDLY 1 – 1 Second
2402 – PlaDLY 1 – 3 Second
2402 – PlaDLY 1 – 4 Second
2402 – PlaDLY 1 – 9 Second
2402 – PlaDLY 2 – .1 Second
2402 – PlaDLY 2 – .5 Second
2402 – PlaDLY 2 – 1.5 Second
2402 – PlaDLY 2 – 3 Second
2402 – PlaDLY 2 – 5 Second
2402 – PlaDLY 2 – 9 Second
2402 – PlaDLY 3 – .1 Second
2402 – PlaDLY 3 – .5 Second
2402 – PlaDLY 3 – 1.5 Second
2402 – PlaDLY 3 – 3 Second
2402 – PlaDLY 3 – 4.5 Second
2402 – PlaDLY 3 – 9 Second
2402 – PlaDLY 4 – .1 Second
2402 – PlaDLY 4 – .5 Second
2402 – PlaDLY 4 – 1.5 Second
2402 – PlaDLY 4 – 3 Second
2402 – PlaDLY 4 – 5 Second
2402 – PlaDLY 4 – 9 Second
2402 – PlaDLY 5 – .1 Second
2402 – PlaDLY 5 – .5 Second
2402 – PlaDLY 5 – 1.5 Second
2402 – PlaDLY 5 – 3 Second
2402 – PlaDLY 5 – 5 Second
2402 – PlaDLY 5 – 9 Second
2402 – Railroad Station 1
2402 – Railroad Station 2
2402 – Rehersal Room
2402 – Small Bright Room
2402 – Small Room Muffled
2402 – Small Room
2402 – Small Vocal Booth
2402 – Taj
2402 – Theater
2402 – Volksbad 1
2402 – Volksbad 2
2402 – Warehouse Large Dark
2402 – Warehouse Medium Dark
2402 – Warehouse

300 – Back of Chamber
300 – Back of Hall
300 – Back of Small Room
300 – Closet
300 – Club
300 – Living Room
300 – Medium Room + Tap Delay
300 – Midway Back Hall
300 – Oil Tanker
300 – Reflections
300 – Room +Tap
300 – Room Slap
300 – Small Hall
300 – Small Room
300 – Taj Hall
300 – Warehouse

3000

3000 – Accurate Room
3000 – Ambience
3000 – Ambient Booth
3000 – Big Snare
3000 – Bobs Room
3000 – Bright Room
3000 – Close Miked
3000 – Concert Hall
3000 – Dark Room
3000 – Dense Hall
3000 – Dense Room
3000 – Drews Chamber
3000 – Drum Ambience
3000 – Generic Hall
3000 – Great Drum Space
3000 – Guitar Room
3000 – Huge Dense Hall
3000 – Large Guitar Room
3000 – Locker Room
3000 – Long and Smooth
3000 – Northwest Hall
3000 – Reverb Factory
3000 – Rich Plate
3000 – Room of Doom
3000 – Small Room
3000 – Smooth Plate
3000 – Useful Verb
3000 – Warm Hall

3500

3500 – Alive Chamber
3500 – Backward Verb
3500 – Big Sweep
3500 – Boogaloo
3500 – Build Shimmer
3500 – Circles
3500 – Concert Hall .5 Second
3500 – Concert Hall 2.5 Second
3500 – Concert Hall 4 Second
3500 – Crass Room .5 Second
3500 – Crass Room 2 Second
3500 – Crass Room 2.5 Second
3500 – Dith Verb 2 Second
3500 – Dith Verb 4 Second
3500 – Dith Verb
3500 – Drunkit
3500 – Echo Verb
3500 – Famous Room
3500 – Hump Verb
3500 – Lite Room – 1.5 Second
3500 – Long Room – .5 Second
3500 – Long Room – 2 Second
3500 – Long Room – 4 Second
3500 – PRCSV Horn Plate .5 Second
3500 – PRCSV Horn Plate 1.5 Second
3500 – PRCSV Horn Plate 3 Second
3500 – Shimmerish
3500 – Slap Verb .5 Second
3500 – Slap Verb 2 Second
3500 – Slap Verb 4 Second
3500 – Small Vocal Room .5 Second
3500 – Small Vocal Room 2 Second
3500 – Small Vocal Room 3.5 Second
3500 – Space Echo FX
3500 – Space Echo
3500 – Thick Rick
3500 – Tight and Bright .5 Second
3500 – Tight and Bright 1 Second
3500 – Tight and Bright 2 Second

4000

4000 – Ambience
4000 – Church Coffee House Room
4000 – Conga Lounge
4000 – Dirty Room
4000 – Flat Rap Club
4000 – Furnished Room
4000 – Generic Live Club
4000 – Home Room
4000 – In the Room
4000 – Kick Room
4000 – Library
4000 – Locker
4000 – Medium Basement
4000 – Medium Room
4000 – Music Club
4000 – Overhead Mics
4000 – Rock Vocal Room
4000 – Short Rock Snare
4000 – Slaughter House
4000 – Small Blanket Room
4000 – Small Hall
4000 – Small Room
4000 – Small Wood Room
4000 – Snare Room
4000 – Spanking Room
4000 – Stonewall Room
4000 – Studio Live Room
4000 – Tight and Natural
4000 – Tight and Round
4000 – Ugly Room

480 – A Plate
480 – Back Slap
480 – Doubler
480 – Elinar
480 – Fat Plate
480 – Large Chamber
480 – Large Church
480 – Large Hall
480 – Large Room
480 – Medium Hall
480 – Medium Room
480 – Rebound
480 – Small Chamber
480 – Small Church
480 – Small Hall
480 – Small Plate
480 – Small Room
480 – Snare Plate
480 – Sudden Stop

68 – Bright Room
68 – Building
68 – Infinite
68 – Large Catholic Church
68 – Large Concert Hall
68 – Large Gym
68 – Large Hall
68 – Large Long Room
68 – Large Plate 1
68 – Large Plate 2
68 – Medium Hall
68 – Medium Plate 1
68 – Medium Plate 2
68 – Reverse
68 – Small Club
68 – Small Dark Room
68 – Small Plate 1
68 – Small Plate 2
68 – Stage w Bounce Hall Wall
68 – Thunder

780 – ADT
780 – Alive
780 – Chamber 1
780 – Chamber 2
780 – Chamber 3
780 – Chamber 4
780 – Chamber 5
780 – Hall 2
780 – Hall 3
780 – Hall 4
780 – Hall 5
780 – Hall 7
780 – Muti Tap Echo
780 – Plate 1
780 – Plate 2
780 – Plate 3
780 – Plate 4
780 – Plate 5
780 – Reverse
780 – Room 1
780 – Room 2
780 – Room 3
780 – Room 4
780 – Room 5

960 – A Plate
960 – Acoustic Fill
960 – Auto Park
960 – Beefy Hall
960 – Bottom Heavy
960 – Dessert Plate
960 – Drum Plate
960 – Echo Hall
960 – Echo Plate
960 – Fat Plate
960 – Jazz Hall
960 – Key Hall
960 – Large Brite Hall
960 – Large Brite Room
960 – Large Brite Space
960 – Large Choir Hall
960 – Large Church
960 – Large Hall
960 – Large Room
960 – Large Wood Room
960 – Medium Brite Room
960 – Medium Choir Hall
960 – Medium Hall
960 – Medium Large Hall
960 – Medium Plate
960 – Medium Room
960 – Medium Vox Hall
960 – Music Club
960 – Percussion Plate
960 – Plated Gate
960 – Rotary Records
960 – Short and Deep
960 – Small and Brite
960 – Small Brite Hall
960 – Small Church
960 – Small Hall
960 – Small Plate
960 – Small Room
960 – Small Wood Room
960 – Snare Plate
960 – Taj Hall Deep6
960 – Thin Plate
960 – Very Small
960 – Vocal Plate
960 – Wavey Plate

990 – Gated Reverbs – Blatty Plate
990 – Gated Reverbs – Full Metal Gate
990 – Gated Reverbs – Hard Gate
990 – Gated Reverbs – Reverse Gate
990 – Gated Reverbs – Reverse Purple
990 – Long – Ambience
990 – Long – Breathy Reverb
990 – Long – Bright Hall
990 – Long – Concert Hall
990 – Long – Drum Chamber
990 – Long – Plate Hall
990 – Long – Reverb Flange
990 – Long – Stereo Hall
990 – Long – Vocal Chamber
990 – Medium – Arena
990 – Medium – Echo Room
990 – Medium – Fat Reflections
990 – Medium – Old Plate
990 – Medium – Presence Reverb
990 – Medium – Snare Plate
990 – Medium – Thin Plate
990 – Medium – Vocal Plate
990 – Medium – Wood Room
990 – Rooms – Bamboo Room
990 – Rooms – Big Snare
990 – Rooms – Bright Snare
990 – Rooms – Concrete Room
990 – Rooms – Reflections
990 – Rooms – Squash Room
990 – Rooms – Stone Room

Q-S – Backyard
Q-S – Bathroom
Q-S – Cathedral
Q-S – Cave
Q-S – Chamber Music
Q-S – Chapel
Q-S – Church
Q-S – Cinema
Q-S – Concert Hall Without Audience
Q-S – Concert Hall
Q-S – Cotton Tent
Q-S – Empty Stage
Q-S – Living Room Furnished
Q-S – Living Room Un-Furnished
Q-S – Muellers Volksbad
Q-S – Natatorium
Q-S – Oil Barrel
Q-S – Oktoberfest Spaceship
Q-S – Plate 1 – half Second
Q-S – Plate 2 – 1 Second
Q-S – Plate 3 – 1.5 Seconds
Q-S – Plate 4 – 2.5 Seconds
Q-S – Plate 5 – 4 Seconds
Q-S – Railway Station
Q-S – Set 1 – Size 3 – .2 Second
Q-S – Set 1 – Size 3 – .5 Second
Q-S – Set 1 – Size 3 – .8 Second
Q-S – Set 1 – Size 3 – 1.2 Seconds
Q-S – Set 1 – Size 3 – 1.6 Seconds
Q-S – Set 2 – Size 4 – .2 Second
Q-S – Set 2 – Size 4 – .4 Second
Q-S – Set 2 – Size 4 – .8 Second
Q-S – Set 2 – Size 4 – 2.4 Seconds
Q-S – St Peters Cathedral
Q-S – Staircase
Q-S – Taj Mahal
Q-S – Theater
Q-S – Wardrobe Closet
Q-S – Yellow Submarine
Q-S- Set 2 – Size 4 – 1.6 Seconds

Rum – 01 – Small Closet
Rum – 02 – Tight Ambience
Rum – 03 – Add More Air
Rum – 04 – Add Ambience
Rum – 05 – Small Wood Booth
Rum – 06 – Standard Booth
Rum – 07 – Natural Room
Rum – 08 – Nice Little Booth
Rum – 09 – With a Mic
Rum – 10 – Pretty Small Place
Rum – 100 – Gate Plate
Rum – 101 – Reverse Reverb 1
Rum – 102 – Reverse Reverb 2
Rum – 103 – Reverse Reverb 3
Rum – 104 – Vocal Room
Rum – 105 – Vocal Stage
Rum – 106 – Room Compression
Rum – 107 – Room Slow Compress
Rum – 108 – Chamber Compress
Rum – 109 – Drum Compress Rev
Rum – 11 – Viewing Booth
Rum – 110 – Snappy Drum Room
Rum – 111 – Roomitizer
Rum – 112 – Live to Tape
Rum – 113 – Non Linear 1
Rum – 114 – Non Linear 2
Rum – 115 – Non Linear 3
Rum – 116 – Exponent Booth
Rum – 117 – Drum Latch 1
Rum – 118 – Drum Latch 2
Rum – 119 – Diffuse Gate
Rum – 12 – Small Dark Room
Rum – 121 – Class Room
Rum – 122 – High School Gym
Rum – 123 – School Stairwell
Rum – 124 – Cool Dark Place
Rum – 125 – Pitcher Hall
Rum – 126 – Distant TV
Rum – 127 – Shaper Reverb
Rum – 13 – Intimate Room
Rum – 14 – White Room
Rum – 15 – Live Place
Rum – 16 – A Distance Away
Rum – 17 – Bright Small Room
Rum – 18 – Small Drum Room
Rum – 19 – Small Studio Room
Rum – 20 – Drum Room
Rum – 21 – Bassy Room
Rum – 22 – Thick Room
Rum – 23 – Sun Room
Rum – 24 – The Real Room
Rum – 25 – Bath Room
Rum – 26 – Utility Room
Rum – 27 – Spitty Drum Room
Rum – 28 – Genuine Room
Rum – 29 – Green Room
Rum – 30 – Percussive Room
Rum – 31 – Cumfy Club
Rum – 32 – Stall One
Rum – 33 – Brite Empty Room
Rum – 34 – In the Studio
Rum – 35 – Tabla Room
Rum – 36 – Brass Chamber
Rum – 37 – Sax Chamber
Rum – 38 – Live Chamber
Rum – 39 – My Garage
Rum – 40 – Bigger Perc Room
Rum – 41 – Plebe Chamber
Rum – 42 – Medium Large Room
Rum – 43 – Classical Chamber
Rum – 44 – Large Room
Rum – 45 – Sizzly Drum Room
Rum – 46 – Judge Chamber
Rum – 47 – Bloom Chamber
Rum – 48 – Real Big Room
Rum – 49 – Small Hall
Rum – 50 – Real Nice Verb
Rum – 51 – Empty Stage
Rum – 52 – Medium Hall
Rum – 53 – Elegant Hall
Rum – 54 – Opera House
Rum – 55 – Mosque Room
Rum – 56 – Spacious Hall
Rum – 57 – Grandiose Hall
Rum – 58 – Short Hall
Rum – 59 – Bright Hall
Rum – 60 – Classic Chapel
Rum – 61 – Semisweet Hall
Rum – 62 – Reflective Hall
Rum – 63 – Smooth Hall
Rum – 64 – Ball Room
Rum – 65 – Concert Hall
Rum – 66 – Diffuse Hall
Rum – 67 – Lush Piano Hall
Rum – 68 – Dreamy 481
Rum – 69 – The Long Hall
Rum – 70 – Predelay Hall
Rum – 71 – Sweeter Hall
Rum – 72 – Piano Hall
Rum – 73 – Bloom Hall
Rum – 74 – Recital Hall
Rum – 75 – Generic Hall
Rum – 76 – Burst Space
Rum – 77 – Real Dense Hall
Rum – 78 – Pad Space
Rum – 79 – Standing Ovation
Rum – 80 – Flinty Hall
Rum – 81 – Real Plate
Rum – 82 – Bright Plate
Rum – 83 – Medium Warm Plate
Rum – 84 – Bloom Plate
Rum – 85 – Clean Plate
Rum – 86 – Plate Mail
Rum – 87 – Real Smooth Plate
Rum – 88 – Classic Plate
Rum – 89 – Weighty Plate
Rum – 90 – Platey Room
Rum – 91 – Huge Tight Plate
Rum – 92 – Immense Mosque
Rum – 93 – Dream Verb
Rum – 94 – Splendid Palace
Rum – 95 – Big Gym
Rum – 96 – Huge Bat Cave
Rum – 97 – Gated Snare Room
Rum – 98 – Gated Booth
Rum – 99 – Tight Gated Verb

Echo Space

201 Head 1 – In Tandem Stereo
201 Head 1 No Reverb
201 Head 2 – In Delayed Stereo
201 Head 2 No Reverb
201 Head 2 With Reverb
201 Head 3 – In Delayed Stereo
201 Head 3 No Reverb
201 Head 3 With Reverb
201 Head 4 – In Delayed Stereo
201 Head 4 No Reverb
201 Head 4 With Reverb
201Head 1 With Reverb

282 – Delay Cloud
282 – Delay Echo 3
282 – Delay Echo 4
282 – Delay Fatty
282 – Delay Slap 2
282 – Delay Slap Reverb 2
282 – Delay Slap Reverb
282 – Long Room 1
282 – Long Room 2
282 – Long Room 3
282 – Long Room 4
282 – Medium Room 1
282 – Medium Room 2
282 – Medium Room 3
282 – Medium Room 4
282 – Short Room 1
282 – Short Room 2
282 – Short Room 3
282 – Short Room 4
282 – Super Long Room 1
282 – Super Long Room 2
282 – Super Long Room 3
282 – Super Long Room 4
282 – Very Long Room 1

282 Unit 2

282 Unit 2 – Delay Type 1
282 Unit 2 – Delay Type 2
282 Unit 2 – Delay Type 3
282 Unit 2 – Delay Type 4
282 Unit 2 – Delay Type 5
282 Unit 2 – FX 1
282 Unit 2 – FX 10
282 Unit 2 – FX 2
282 Unit 2 – FX 3
282 Unit 2 – FX 4
282 Unit 2 – FX 5
282 Unit 2 – FX 6
282 Unit 2 – FX 7
282 Unit 2 – FX 8
282 Unit 2 – FX 9
282 Unit 2 – Reverb 1 Second
282 Unit 2 – Reverb 2 Seconds
282 Unit 2 – Reverb 3 Seconds
282 Unit 2 – Reverb 4 Seconds
282 Unit 2 – Reverb 6.5 Seconds

301 A – mono 1
301 A – mono 2
301 A -Stereo
301 B – mono 1
301 B – mono 2
301 B – Stereo
301 C – mono 1
301 C – mono 2
301 C – Stereo
301 Reverb Only – mono 1
301 Reverb Only – mono 2
301 Reverb Only – Stereo – EQ Large Plate
301 Reverb Only – Stereo Large Room
301 Reverb Only – Stereo Organic

312 – Darker Tone – Varied Time 1
312 – Darker Tone – Varied Time 2
312 – Darker Tone – Varied Time 3
312 – Darker Tone – Varied Time 4
312 – Darker Tone – Varied Time 5
312 – Delay Constant – Tone Mid – Tandem Stereo
312 – Delay Constant – Tone Mid Verb 1
312 – Delay Constant – Tone Mid Verb 2
312 – Delay Constant – Tone Mid Verb 3
312 – Delay Constant – Tone Mid Verb 4
312 – Delay Constant – Tone Mid Verb 5
312 – Faster Delay – Tandem Stereo
312 – Faster Delay – Verb 1
312 – Faster Delay – Verb 2
312 – Faster Delay – Verb 3
312 – Faster Delay – Verb 4
312 – Faster Delay – Verb 5
312 – Max Verb – Darker Tone – Tandem Stereo
312 – Max Verb – Varied Time and Tone – Tandem Stereo
312 – Max Verb – Varied Time and Tone 1
312 – Max Verb – Varied Time and Tone 2
312 – Max Verb – Varied Time and Tone 3
312 – Max Verb – Varied Time and Tone 4
312 – Max Verb – Varied Time and Tone 5

EchP

EchP 1- Feedback 1
EchP 11 – Feedback 4
EchP 15 – Feedback 6
EchP 15 – In Delayed Stereo
EchP 20 – Feedback 2
EchP 20 Feedback 2 – In Delayed Stereo
EchP 27 – Feedback 5
EchP 27 Feedback 5 – In Delayed Stereo
EchP 31 – Feedback 4
EchP 35 – Feedback 1
EchP 35 – Feedback 6
EchP 35 Feedback 6 – In Delayed Stereo
EchP 8 – Feedback 4

EchP-2

EchP-2 A – mono 1
EchP-2 A – mono 2
EchP-2 A – Stereo
EchP-2 B – mono 1
EchP-2 B – mono 2
EchP-2 B – Stereo
EchP-2 C – mono 1
EchP-2 C – mono 2
EchP-2 C – Stereo

German Ech

German Ech Reverb – Stereo
German Ech Super – mono 1
German Ech Super – mono 2
German Ech Super A – mono 1
German Ech Super A – mono 2
German Ech Super A – Stereo
German Ech Super B – mono 1
German Ech Super B – mono 2
German Ech Super B – Stereo
German Ech Super C – mono 1
German Ech Super C – mono 2
German Ech Super C – Stereo

Oil Can Delay

Oil Can Delay – mono 1
Oil Can Delay – mono 2
Oil Can Delay – Stereo Modified

Tape Ech

Tape Ech – Ping Pong Faster 2
Tape Ech – Ping Pong Faster
Tape Ech – Ping Pong Fun 2
Tape Ech – Ping Pong Fun Slower
Tape Ech – Ping Pong Fun
Tape Ech Head 1 Mono

Factory Library

80s-90s DSP1 – Basic

100 – Hard Room 1
1202 – Percus 3
3D – Room – Short
501 – Delay 10 and 11 Ping Pong
D128 – Live Large Room 1
Dfex – Ping Pong Dly Fun 2
G-5 – Time Gap
Multi – Long Room
Quad – 21

80s-90s DSP2 – Classic

880 – Deep LV Room
D-4 – Medium Hall
D2000 – Small Plate
DE-5 – Pan Gate 5
K-P8 – Cool Dark Place
M200 – Very Large Plate 6.8 Seconds
P15 – Glass House
R7 – Strings
Roc – Alcatraz
S2000 – Hall – RT 2.7 Seconds
V23 – Regeneration Mid 10
V77 – NY City Lights
X16 – Short Reverse

80s-90s DSP3 – Pro

2000 – Chorus Reverb
2016 – Stereo Room Short
224 – Medium Chamber
2402 – Concert Hall
300 – Medium Room + Tap Delay
3000 – Dense Room
3500 – Backward Verb
4000 – Rock Vocal Room
480 – Fat Plate
68 – Building
780 – Plate 2
960 – Music Club
990 – Medium – Presence Reverb
Q-S – Chapel
Rum – 51 – Empty Stage

Echo Space

201 Head 2 – In Delayed Stereo
282 – Delay Slap Reverb 2
301 A -Stereo
312 – Faster Delay – Tandem Stereo
EchP 15 – In Delayed Stereo
EchP-2 C – Stereo
German Ech Super B – Stereo
Oil Can Delay – Stereo Modified
Tape Ech – Ping Pong Fun

Plates

Aud – Bright Hall
Bri 2 – Second Vox Plate
Ecopl I – 2.5 Seconds – General Plate EQ
Ecopl II – Medium Hall
Ecopl III – 1.5 Seconds
German 140 ST Unit 1 – Small Hall
German 140 ST Unit 2 – Vox Presence Delay Plate
German 140 ST Unit 3 – 2.5 Seconds – Organic
German 140 ST Unit 4 – Plate Large Hall
German 140 ST Unit 5 – 3 Seconds
German 140 ST Unit 6 – Small Plate
German 240 Unit 2 – half Second – Reduced 100-500Hz
Laws – 1 Second – less dense
S4000 – 4 Seconds

Real Spaces

11,000 Seat Arena 1_3 RCards
Cathedral 3_4 RCards
Cavern 2
Dance Studio Room2 Ctr
OutsideCombAmbience8
Whispering Hills Bedroom
Wils Hall 66 Ft

Springs Amps Combined

1964 25 Percent
1969 Verb 9
1973 – Verb 8
2600 – Tandem Stereo
636 Spring – Tandem Stereo
Brit Spring – Channel 1 and 2

True Stereo

480 – Large Room TS
480 – Small Hall TS
55 – Drum Plate TS
55 – Small Room TS

Vintage German DSP

German 245 – Unit 2 Vox Plate Awesome Vocals
German 246 – Unit 2 – 2.5 Seconds – Rev 250 – 03
German 248 Delayed Reverb 1 Second
German 250 Stereo Vox Magic 3

Plates

Aud – 0.5 Second
Aud – 1 Second
Aud – 1.5 Seconds
Aud – 2 Seconds
Aud – 2.5 Seconds
Aud – 3 Seconds
Aud – 3.5 Seconds
Aud – 4 Seconds
Aud – 4.5 Seconds
Aud – 5 Seconds
Aud – 5.5 Seconds
Aud – 6 Seconds
Aud – 7 Seconds
Aud – Bright Hall
Aud – Club Room

Bri 1 Second Nicer Plate
Bri 1 Second Organic
Bri 1 Second Small Room
Bri 1 Second Vox Plate
Bri 2 Seconds Nicer Plate
Bri 2 Seconds Organic
Bri 2 Seconds Vox Plate
Bri 3 Seconds Concert Hall
Bri 3 Seconds Organic
Bri 3 Seconds Vox Plate
Bri 4 Seconds Organic
Bri 5 Seconds Organic

Ecopl I, II, III

Ecopl I

Ecopl 1 – 2 Seconds
Ecopl 1 – 3 Seconds
Ecopl 1 – 5 Seconds
Ecopl 1 – 6 Seconds
Ecopl 1 – 9 Seconds

Ecopl II

Ecopl II – 2 Seconds
Ecopl II – 3 Seconds
Ecopl II – 4 Seconds
Ecopl II – 5 Seconds
Ecopl II – 6 Seconds
Ecopl II – Medium Hall – Vox Delay
Ecopl II – Medium Hall
Ecopl II -1 Second

Ecopl III

Ecopl III – 1 Second
Ecopl III – 1.5 Seconds
Ecopl III – 2 Seconds
Ecopl III – 2.5 Seconds
Ecopl III – 3 Seconds
Ecopl III – 4 Seconds
Ecopl III – 5 Seconds
Ecopl III – 6 Seconds
Ecopl III – 7 Seconds
Ecopl III – Half Second

German 140

German 140 ST Unit 1

German 140 ST Unit 1 – 0.5 Second
German 140 ST Unit 1 – 1 Second
German 140 ST Unit 1 – 1.5 Second
German 140 ST Unit 1 – 2 Second
German 140 ST Unit 1 – 3 Seconds
German 140 ST Unit 1 – 4 Seconds
German 140 ST Unit 1 – 6 Seconds
German 140 ST Unit 1 – Medium Brass Plate
German 140 ST Unit 1 – Medium Drum Plate

German 140 ST Unit 2

German 140 ST Unit 2 – 1.5 Seconds
German 140 ST Unit 2 – 2.5 Seconds
German 140 ST Unit 2 – 3 Sec – Arena – Empty
German 140 ST Unit 2 – 3 Sec Vocal Plate w One Tap Delay
German 140 ST Unit 2 – 3 Sec Vocal Plate
German 140 ST Unit 2 – 3 Seconds
German 140 ST Unit 2 – 4 Sec – Concert Hall Warm
German 140 ST Unit 2 – 4 Seconds
German 140 ST Unit 2 – 5 Seconds
German 140 ST Unit 2 – 6 Sec – Concert Hall Large
German 140 ST Unit 2 – 6 Sec – Large Choir Hall
German 140 ST Unit 2 – 6 Sec – Large Church
German 140 ST Unit 2 – 6 Sec – Large Hall
German 140 ST Unit 2 – 6 Seconds
German 140 ST Unit 2 – Orchestral Hall 2
German 140 ST Unit 2 – Orchestral Hall
German 140 ST Unit 2 – String Hall
German 140 ST Unit 2 – Vox Presence Delay Plate
German 140 ST Unit 2 – Vox Presence Plate

German 140 ST Unit 3

German 140 ST Unit 3 – 0.5 Second
German 140 ST Unit 3 – 1 Second
German 140 ST Unit 3 – 2 Seconds
German 140 ST Unit 3 – 2.5 Seconds
German 140 ST Unit 3 – 3 Seconds
German 140 ST Unit 3 – 4 Seconds
German 140 ST Unit 3 – 5 Seconds
German 140 ST Unit 3 – 6 Seconds
German 140 ST Unit 3 – Long Piano Hall
German 140 ST Unit 3 – Medium Long Piano Hall
German 140 ST Unit 3 – Medium Piano Hall
German 140 ST Unit 3 – Total Horns Hall

German 140 ST Unit 4

German 140 ST Unit 4 – 3 Sec
German 140 ST Unit 4 – 3.5 Sec
German 140 ST Unit 4 – 4 Sec
German 140 ST Unit 4 – 5 Sec
German 140 ST Unit 4 – Bright Snare Plate
German 140 ST Unit 4 – Plate Large Church
German 140 ST Unit 4 – Plate Large Concert Hall
German 140 ST Unit 4 – Plate Large Hall
German 140 ST Unit 4 – Plate Medium Hall 3 Sec
German 140 ST Unit 4 – Vox Delayed Single Tap
German 140 ST Unit 4 – Vox Delayed Verb 2
German 140 ST Unit 4 – Vox Delayed Verb
German 140 ST Unit 4 – Vox Plate

German 140 ST Unit 5

German 140 ST Unit 5 – 1 Second
German 140 ST Unit 5 – 2 Seconds
German 140 ST Unit 5 – 3 Seconds
German 140 ST Unit 5 – 4 Seconds
German 140 ST Unit 5 – 5 Seconds

German 140 ST Unit 6

German 140 ST Unit 6 – 1 Second
German 140 ST Unit 6 – 1.5 Seconds
German 140 ST Unit 6 – 2 Seconds
German 140 ST Unit 6 – 3 Seconds
German 140 ST Unit 6 – 4 Seconds
German 140 ST Unit 6 – 5 Seconds

German 140 Unit 7 – Mono

German 140 Unit 7 – Mono Tube – 1 Second vs1
German 140 Unit 7 – Mono Tube – 1 Second vs2
German 140 Unit 7 – Mono Tube – 1.5 Seconds vs1
German 140 Unit 7 – Mono Tube – 1.5 Seconds vs2
German 140 Unit 7 – Mono Tube – 2 Seconds vs1
German 140 Unit 7 – Mono Tube – 2 Seconds vs2
German 140 Unit 7 – Mono Tube – 3 Seconds vs1
German 140 Unit 7 – Mono Tube – 3 Seconds vs2
German 140 Unit 7 – Mono Tube – 4 Seconds vs1
German 140 Unit 7 – Mono Tube – 4 Seconds vs2
German 140 Unit 7 – Mono Tube – 5 Seconds vs1
German 140 Unit 7 – Mono Tube – 5 Seconds vs2

German 140 Unit 8 – Mono Valve

German 140 Unit 8 – Mono Valve 1.5 Seconds Clean Plate
German 140 Unit 8 – Mono Valve 1.5 Seconds
German 140 Unit 8 – Mono Valve 2.5 Seconds
German 140 Unit 8 – Mono Valve 3.5 Seconds Clean Plate
German 140 Unit 8 – Mono Valve 3.5 Seconds Large Hall
German 140 Unit 8 – Mono Valve 3.5 Seconds
German 140 Unit 8 – Mono Valve 4 Seconds Clean Plate
German 140 Unit 8 – Mono Valve 4 Seconds Large Hall
German 140 Unit 8 – Mono Valve 4 Seconds
German 140 Unit 8 – Mono Valve 5 Seconds Clean Plate
German 140 Unit 8 – Mono Valve 5 Seconds Large Church
German 140 Unit 8 – Mono Valve 5 Seconds Large Hall
German 140 Unit 8 – Mono Valve 5 Seconds
German 140 Unit 8 – Valve Mod Stereo 1.5 Seconds Medium Room
German 140 Unit 8 – Valve Mod Stereo 2 Seconds Drum Plate More Space
German 140 Unit 8 – Valve Mod Stereo 2 Seconds Drum Plate
German 140 Unit 8 – Valve Mod Stereo 2.5 Seconds Delayed Drum Plate
German 140 Unit 8 – Valve Mod Stereo 3.5 Seconds Large Room

German 240

German 240

German 240 1 Second
German 240 1.5 Seconds Reverse
German 240 2 Seconds
German 240 3 Seconds w Stereo Delay Subtle Vox
German 240 3 Seconds w Stereo Delay
German 240 3 Seconds
German 240 4 Seconds Delay Vox
German 240 4 Seconds
German 240 4.5 Seconds
German 240 5 Seconds Dark Delay Vox

German 240 Unit 2

German 240 Unit 2 – 0.5 Seconds
German 240 Unit 2 – 1 Second
German 240 Unit 2 – 1.5 Seconds
German 240 Unit 2 – 2 Seconds
German 240 Unit 2 – 4 Seconds
German 240 Unit 2 – 5 Seconds
German 240 Unit 2 – 6 Seconds

Laws

Laws Plate 0.5 Seconds
Laws Plate 1 Second
Laws Plate 1.5 Seconds
Laws Plate 2.5 Seconds
Laws Plate 3 Seconds
Laws Plate 4 Seconds

S4000

S4000 – 1.5 Seconds
S4000 – 3 Seconds
S4000 – 4 Seconds
S4000 – 4.5 Seconds
S4000 – 5 Seconds
S4000 – 6 Seconds
S4000 – A Nice Plate
S4000 – Chorus
S4000 – Delayed Plate
S4000 – Echo Fun
S4000 – Flange Long
S4000 – Good Sized Hall – shorter
S4000 – Large Hall
S4000 – Vox Plate Medium
S4000 – Vox Plate w Light Tap

Springs Boingy

10 Unit 1 – Mono 1
10 Unit 1 – Mono 2
10 Unit 1 – Stereo
10 Unit 2 – Mono 1
10 Unit 2 – Mono 2
10 Unit 2 – Stereo

10 – Unit 3

10 – Unit 3 – Stereo
10 – Unit 3 Vs 1
10 – Unit 3 Vs 2

100 – Delayed Stereo
100 – Mode 1 – Mono
100 – Mode 2 – Mono

3 Spring

3 Spring Mono 1 vs 2
3 Spring Mono 2 vs 2
3 Spring Stereo in Tandum

3180

3180 Spring Reverb -10dB Main
3180 Spring Reverb

62-901

62-901 Bass Switch mono 1
62-901 Bass Switch mono 2
62-901 Normal – Delayed Tandem
62-901 Normal Switch mono 1
62-901 Normal Switch mono 2
62-901 Treble – Delayed Stereo
62-901 Treble Switch mono 1
62-901 Treble Switch mono 2

636 Spring – Gramp German Amplifiers
636 Spring – Main Mono 1
636 Spring – Main Mono 2
636 Spring – Main Mono 3
636 Spring – Main Mono 4
636 Spring – Stereo 1 In Tandum
636 Spring – Stereo 2 In Tandum
636 Spring – Wet Signal Only 1
636 Spring – Wet Signal Only 2
636 Spring – Wet Signal Only 3

659 – 2 Seconds
659 – 3 Seconds
659 – 4 Seconds
659 – 5 Seconds
659 – 6 Seconds

844 – mono 1
844 – mono 2
844 – Stereo in Tandem

E-100

E-100 – mono 1
E-100 – mono 2
E-100 – Stereo in Tandem

M-4 Delayed Stereo
M-4 mono 1
M-4 mono 2

Pro Verb

Pro Verb – Delayed Stereo
Pro Verb – mono 1
Pro Verb – mono 2

Rev Plus

Rev Plus – Delayed Stereo
Rev Plus mono 1
Rev Plus mono 2

Springs Bright

111 – 3 Seconds
111 – 3.5 Seconds
111 – 4 Seconds
111 – 5 Seconds

121 – 3 Seconds
121 – 3.5 Seconds
121 – 4 Seconds
121 – 4.5 Seconds

2600

2600 – Delayed Stereo
2600 Mono – EQd to Large Plate
2600 Mono

710 Spring – mono 1
710 Spring – mono 2
710 Spring – Stereo in Tandem

Austrian – 5

Austrian – 5 Decay 1 Setting – Organic
Austrian – 5 Decay 1 Setting Less 700 and 1400Hz
Austrian – 5 Decay 2 Setting – Organic
Austrian – 5 Decay 2 Setting Less 700 and 1400Hz
Austrian – 5 Decay 3 Setting – Organic
Austrian – 5 Decay 3 Setting Less 700 and 1400Hz

Austrian -10

Austrian -10 4 Seconds Reduced Low Mid Rumble
Austrian -10 Organic

C-R Var 1
C-R Var 2
C-R Var 3
C-R Var 4
C-R Var 5

Pro V

Pro V – mono 1
Pro V – mono 2
Pro V – Stereo in Tandem

R-1 Lowered Mids
R-1 Spring Reverb

T-2 – mono 1
T-2 – mono 2
T-2 – Stereo

Tel Echo Stereo In Tandum
Tel Echo VS 1
Tel Echo VS 2
Tel Echo VS 3

ValveV

ValveV – mono 1
ValveV – mono 2
ValveV – Stereo in Tandem

Verb

Verb Var 1
Verb Var 2
Verb Var 3

Springs Warm

111 Warm

111 Warm – 1 – Spring Warm
111 Warm – 2 – Spring Warm

305 – 3 Seconds
305 – 3 Tap Delay Reverb
305 – 3.5 Seconds
305 – 4 Seconds
305 – 4.5 Seconds
305 – 5 Seconds
305 – Spring Reverb

4400

4400 Mono to Stereo 2
4400 Mono to Stereo 3
4400 Mono to Stereo Tank 2
4400 Stereo – EQd to Large Plate
4400 Stereo – Organic

4500 Mono

4500 – 5 Seconds – Delayed Stereo
4500 Mono – 5 Seconds – mono
4500 Mono – 6 Seconds – mono
4500 Mono – 7 Seconds – mono
4500 Mono – 8 Seconds – mono
4500 Mono – 9 Seconds – mono

Austrian – 20

Austrian – 20 – 1 second
Austrian – 20 – 2 seconds
Austrian – 20 – 3 seconds
Austrian – 20 – 4 seconds
Austrian – 20 – 5 seconds
Austrian – 20 – 6 seconds
Austrian – 20 Lead Vox short

Austrian – 25

Austrian – 25 1.5 Seconds – less dense
Austrian – 25 1.5 Seconds
Austrian – 25 2 Seconds – less dense
Austrian – 25 2 Seconds
Austrian – 25 3 Seconds – less dense
Austrian – 25 3 Seconds
Austrian – 25 4 Seconds – less dense
Austrian – 25 4 Seconds
Austrian – 25 5 Seconds
Austrian – 25 Reflections
Austrian – 25 Short Vox Spring
Austrian – 25 Vox Spring 3 Sec – less dense
Austrian – 25 Vox Spring 3 Seconds
Austrian – 25 Vox Spring Delay
Austrian – 25 Vox Spring Less Delay
Austrian – 25 Vox Spring More Delay
Austrian – 25 Vox Spring Soft Delay

Brit Spring

Brit Spring – 2 Second Vocal Spring
Brit Spring – Channel 1 and 2
Brit Spring – Channel 1
Brit Spring – Channel 2
Brit Spring – Medium Hall
Brit Spring – Medium Vocal Spring

F-2 – 1 Second
F-2 – 2 Seconds
F-2 – 3 Seconds
F-2 – 4 Seconds
F-2 – Baroque Church
F-2 – Large Drums
F-2- Stereo

S Reverb

S Reverb – mono 1
S Reverb – mono 2
S Reverb – Stereo in Tandem

VR-2 Spring Reverb

Vintage Amps

1954 Higher Gain
1954 Lower Gain
1954 Sim Stereo
1957 German tweeter
1957 German 2
1957 German 3
1957 German Dist
1957 German main and tweeter mix
1957 German w Room Ambience
1957 German
1958 – Sim Stereo
1958 Classic Dist
1958 Classic
1958
1962 Amp – Dry
1962 Amp – Tone 0 Verb 0
1962 Amp – Tone 0 Verb 10
1962 Amp – Tone 0 Verb 2
1962 Amp – Tone 0 Verb 4
1962 Amp – Tone 0 Verb 6
1962 Amp – Tone 0 Verb 8
1962 Amp – Tone 1
1962 Amp – Tone 10 Verb 0
1962 Amp – Tone 10
1962 Amp – Tone 2
1962 Amp – Tone 3 Verb 0
1962 Amp – Tone 3 Verb 10
1962 Amp – Tone 3 Verb 2
1962 Amp – Tone 3 Verb 4
1962 Amp – Tone 3 Verb 6
1962 Amp – Tone 3 Verb 8
1962 Amp – Tone 3
1962 Amp – Tone 4
1962 Amp – Tone 5 Verb 0
1962 Amp – Tone 5 Verb 10
1962 Amp – Tone 5 Verb 2
1962 Amp – Tone 5 Verb 4
1962 Amp – Tone 5 Verb 6
1962 Amp – Tone 5 Verb 8
1962 Amp – Tone 5
1962 Amp – Tone 6
1962 Amp – Tone 7 Verb 0
1962 Amp – Tone 7 Verb 10
1962 Amp – Tone 7 Verb 2
1962 Amp – Tone 7 Verb 4
1962 Amp – Tone 7 Verb 6
1962 Amp – Tone 7 Verb 8
1962 Amp – Tone 7
1962 Amp – Tone 8
1962 Amp – Tone 9
1962 Classic – Flat
1964 100 Percent
1964 25 Percent
1964 Flat
1965 2
1965 Reverb at 5
1965 with heavy spring reverb
1965
1966 – Verb Setting 1
1966 – Verb Setting 10
1966 – Verb Setting 3
1966 – Verb Setting 5
1966 – Verb Setting 7
1966
1968 Rev w bright switch off reverb 3
1968 Rev w bright switch off spring reverb 10
1968 Rev w bright switch off spring reverb 5
1968 Rev w bright switch off
1968 Rev w bright switch on
1969 Bass 100 Percent
1969 Flat
1969 Sim Stereo
1969 Treble 100 Percent
1969 Verb 1.5
1969 Verb 12
1969 Verb 3
1969 Verb 6
1969 Verb 9
1970 M Tone 0
1970 Sim Stereo
1970 Tone 10
1970 Tone 2
1970 Tone 4
1970 Tone 6
1970 Tone 8
1973 – Bass 100 Percent
1973 – Bass 50 Percent
1973 – Flat
1973 – Midrange 100 Percent Boost
1973 – Midrange 50 Percent Boost
1973 – Sim Stereo
1973 – Treble 100 Percent
1973 – Treble 50 Percent
1973 – Verb 10
1973 – Verb 4
1973 – Verb 6
1973 – Verb 8
1977 2
1977 Room Amb
1977
1985 Dist 10
1985 Dist 3
1985 Dist 7
1985 Reverb 1
1985 Reverb 10
1985 Reverb 2
1985 Reverb 3
1985 Reverb 4
1985 Reverb 5
1985 Reverb 6
1985 Reverb 7
1985 Reverb 8
1985 Reverb 9
1985 Tone 0
1985 Tone 10
1985 Tone 3
1985 Tone 5
1985 Tone 7
1987 50W 1
1987 50W 2
1987 50W 3
1987 50W 4
1996 Bass 50 Percent
1996 Flat
1996 Pros Verb 10
1996 Pros Verb 2
1996 Pros Verb 4
1996 Pros Verb 6
1996 Pros Verb 8
1996 Treble 50 Percent

Vintage German DSP

German 245

German 245

German 245 .5 Sec – 0 Refl
German 245 .5 Sec Lowest Refl – HPF and LPF
German 245 .5 Sec Lowest Refl – HPF
German 245 .5 Sec Max Refl
German 245 .5 Sec Med Refl
German 245 1 Sec – 0 Refl
German 245 1 Sec Lowest Refl – HPF and LPF
German 245 1 Sec Lowest Refl – HPF
German 245 1 Sec Max Refl
German 245 1 Sec Med Refl
German 245 2 Sec – 0 Refl
German 245 2 Sec – Max Refl
German 245 2 Sec Lowest Refl – HPF and LPF
German 245 2 Sec Lowest Refl – HPF
German 245 2 Sec Med Refl
German 245 3 Sec – Max Refl
German 245 3 Sec Lowest Refl – HPF
German 245 3 Sec Med Refl
German 245 3.5 Sec – 0 Refl
German 245 3.5 Sec Lowest Refl – Both HPF and LPF
German 245 4 Sec Med Refl
German 245 4.5 Sec Lowest Refl – HPF
German 245 4.5 Sec Max Refl
German 245 5 Sec – 0 Refl
German 245 5 Sec Lowest Refl – Both HPF and LPF

German 245 Unit 2

German 245 – Unit 2 Refl 0 Rev Time – half second
German 245 – Unit 2 Refl 0 Rev Time 1
German 245 – Unit 2 Refl 0 Rev Time 2.5
German 245 – Unit 2 Refl 0 Rev Time 2
German 245 – Unit 2 Refl 0 Rev Time 3
German 245 – Unit 2 Refl 0 Rev Time 4
German 245 – Unit 2 Refl 3 Rev Time – half second
German 245 – Unit 2 Refl 3 Rev Time 1
German 245 – Unit 2 Refl 3 Rev Time 2.5
German 245 – Unit 2 Refl 3 Rev Time 2
German 245 – Unit 2 Refl 3 Rev Time 3
German 245 – Unit 2 Refl 3 Rev Time 4
German 245 – Unit 2 Refl 6 Rev Time – half second
German 245 – Unit 2 Refl 6 Rev Time 1
German 245 – Unit 2 Refl 6 Rev Time 2.5
German 245 – Unit 2 Refl 6 Rev Time 2
German 245 – Unit 2 Refl 6 Rev Time 3
German 245 – Unit 2 Refl 6 Rev Time 4
German 245 – Unit 2 Vox Plate Awesome Vocals
German 245 – Unit 2 Vox Plate One Tap Delay
German 245 – Unit 2 Vox Plate Stereo Delay 2
German 245 – Unit 2 Vox Plate Stereo Delay

German 246

German 246

German 246 – Prog E – Rev 250 0.4 Seconds
German 246 – Prog E – Rev 250 1 Seconds
German 246 – Prog E – Rev 250 1.5 Seconds
German 246 – Prog E – Rev 250 2 Seconds
German 246 – Prog E – Rev 250 2.5 Seconds
German 246 – Prog E – Rev 250 3 Seconds
German 246 – Prog E – Rev 250 3.5 Seconds
German 246 – Prog E – Rev 250 4 Seconds
German 246 – Prog L – Long RT 3.5 Seconds
German 246 – Prog L – Long RT Refl Delayed Body Fade In
German 246 – Prog L – Long RT Refl Delayed Body
German 246 – Prog M – Medium RT 2 Seconds
German 246 – Prog N – Non Linear

German 246 Unit 2

German 246 – Unit 2 – 0.75 Non Linear 01
German 246 – Unit 2 – 0.75 Non Linear 02
German 246 – Unit 2 – 0.75 Non Linear 03
German 246 – Unit 2 – 1.5 Sec – 01
German 246 – Unit 2 – 1.5 Sec – 02
German 246 – Unit 2 – 1.5 Sec – 03
German 246 – Unit 2 – 2.5 Sec – 01
German 246 – Unit 2 – 2.5 Sec – 02
German 246 – Unit 2 – 2.5 Sec – 03
German 246 – Unit 2 – 2.5 Sec – Rev 250 – 01
German 246 – Unit 2 – 2.5 Sec – Rev 250 – 02
German 246 – Unit 2 – 2.5 Sec – Rev 250 – 03
German 246 – Unit 2 – 4.5 Sec – 02
German 246 – Unit 2 – 4.5 Sec – 03
German 246 – Unit 2 – 5.5 Sec – Delay 50 Percent – 01
German 246 – Unit 2 – 5.5 Sec – Delay 50 Percent – 02
German 246 – Unit 2 – 5.5 Sec – Delay 50 Percent – 03
German 246 – Unit 2 – Large Hall
German 246 – Unit 2 – Medium Hall
German 246 – Unit 2 – Recital Room Small
German 246 – Unit 2 – Small Plate
German 246 – Unit 2 – Strings Hall

German 248

German 248 Background Vocals .5 Second
German 248 Background Vocals 1 Second
German 248 Background Vocals 2 Seconds
German 248 Background Vocals 3 Seconds
German 248 Background Vocals 3.5 Seconds
German 248 Background Vocals 4 Seconds
German 248 Baroque Church 3 Seconds
German 248 Baroque Church 5 Seconds
German 248 Bathroom .5 Second
German 248 Bathroom 1 Second
German 248 Bathroom 1.5 Seconds
German 248 Bathroom 2.5 Seconds
German 248 Bathroom 4 Seconds
German 248 Brass .5 Second
German 248 Brass 1 Second
German 248 Brass 2 Seconds
German 248 Brass 3 Seconds
German 248 Brass 4 Seconds
German 248 Brass 5 Seconds
German 248 Bypass
German 248 Cathedral 2 Seconds
German 248 Cathedral 3 Seconds
German 248 Cathedral 3.5 Seconds
German 248 Cathedral 4 Seconds
German 248 Cool Chamber .5 Second
German 248 Cool Chamber 1 Second
German 248 Cool Chamber 2 Seconds
German 248 Cool Chamber 3 Seconds
German 248 Cool Chamber 4 Seconds
German 248 Cool Chamber 5 Seconds
German 248 Delayed Reverb .5 Seconds
German 248 Delayed Reverb 1 Second
German 248 Delayed Reverb 2 Seconds
German 248 Delayed Reverb 3 Seconds
German 248 Delayed Reverb 3.5 Seconds
German 248 Delayed Reverb 4 Seconds
German 248 Drums .5 Second
German 248 Drums 1 Second
German 248 Drums 2 Seconds
German 248 Drums 3 Seconds
German 248 Drums 3.5 Seconds
German 248 Drums 4 Seconds
German 248 Gothic Church 1 Second
German 248 Gothic Church 2 Seconds
German 248 Gothic Church 3 Seconds
German 248 Gothic Church 4 Seconds
German 248 Gothic Church 5 Seconds
German 248 Guitar Ambience .5 Second
German 248 Guitar Ambience 1 Second
German 248 Guitar Ambience 2 Seconds
German 248 Guitar Ambience 3 Seconds
German 248 Guitar Ambience 3.5 Seconds
German 248 Guitar Ambience 4 Seconds
German 248 Infinite Space .5 Second
German 248 Infinite Space 1 Second
German 248 Infinite Space 2 Seconds
German 248 Infinite Space 3 Seconds
German 248 Infinite Space 3.5 Seconds
German 248 Infinite Space 4 Seconds
German 248 Large Hall 2 Seconds
German 248 Large Hall 3 Seconds
German 248 Large Hall 4 Seconds
German 248 Large Hall 5 Seconds
German 248 Large Room .5 Second
German 248 Large Room 1 Second
German 248 Large Room 2 Seconds
German 248 Large Room 3 Seconds
German 248 Large Room 4 Seconds
German 248 Large Room 5 Seconds
German 248 Lead Vocal .5 Second
German 248 Lead Vocal 1 Second
German 248 Lead Vocal 2 Seconds
German 248 Lead Vocal 3 Seconds
German 248 Lead Vocal 3.5 Seconds
German 248 Lead Vocal 5 Seconds
German 248 Max Del Reverb .5 Second
German 248 Max Del Reverb 1 Second
German 248 Max Del Reverb 2 Seconds
German 248 Max Del Reverb 3 Seconds
German 248 Max Del Reverb 3.5 Seconds
German 248 Max Del Reverb 4 Seconds
German 248 Medium Hall 1 Second
German 248 Medium Hall 2 Seconds
German 248 Medium Hall 3 Seconds
German 248 Medium Room .5 Second
German 248 Medium Room 2 Seconds
German 248 Medium Room 3 Seconds
German 248 Narrow Stairwell .5 Second
German 248 Narrow Stairwell 1 Second
German 248 Narrow Stairwell 2 Seconds
German 248 Narrow Stairwell 3 Seconds
German 248 Narrow Stairwell 4 Seconds
German 248 Narrow Stairwell 4.5 Seconds
German 248 Rich Hall 1 Second
German 248 Rich Hall 2 Seconds
German 248 Rich Hall 3 Seconds
German 248 Rich Hall 3.5 Seconds
German 248 Romanesque Church 1 Second
German 248 Romanesque Church 2 Seconds
German 248 Romanesque Church 3 Seconds
German 248 Romanesque Church 3.5 Seconds
German 248 Romanesque Church 4 Seconds
German 248 Small Hall .5 Second
German 248 Small Hall 1 Second
German 248 Small Hall 2 Seconds
German 248 Small Hall 2.5 Seconds
German 248 Small Room .5 Second
German 248 Small Room 1 Second
German 248 Small Room 2 Seconds
German 248 Sphere Space .5 Second
German 248 Sphere Space 1 Second
German 248 Sphere Space 2 Seconds
German 248 Sphere Space 3 Seconds
German 248 Sphere Space 3.5 Seconds
German 248 Sphere Space 4 Seconds
German 248 Strings .5 Second
German 248 Strings 1 Second
German 248 Strings 2 Seconds
German 248 Strings 3 Seconds
German 248 Strings 4 Seconds
German 248 Strings 5 Seconds
German 248 Tiny Room .5 Seconds
German 248 Tiny Room 1 Second
German 248 Tiny Room 2 Seconds

German 250

German 250 Stereo Brass Plate
German 250 Stereo Choir Plate 2
German 250 Stereo Choir Plate 3
German 250 Stereo Choir Plate 4
German 250 Stereo Choir Plate 5
German 250 Stereo Choir Plate 6
German 250 Stereo Choir Plate
German 250 Stereo Choir Rehersal Room
German 250 Stereo Concert Hall
German 250 Stereo Drum Plate More Space
German 250 Stereo Drum Plate Rev 2
German 250 Stereo Drum Plate Rev
German 250 Stereo Drum Plate Space
German 250 Stereo Drum Plate
German 250 Stereo Fatty Plate
German 250 Stereo Large Church
German 250 Stereo Large Concert Hall Bright
German 250 Stereo Large Concert Hall Dark
German 250 Stereo Large Concert Hall
German 250 Stereo Large Hall
German 250 Stereo Medium Plate
German 250 Stereo Percussion Room
German 250 Stereo Plate 2.5 Sec
German 250 Stereo Plate 4 Sec
German 250 Stereo Plate 5 Sec
German 250 Stereo Plate 6 Sec
German 250 Stereo Recital Room
German 250 Stereo Small Plate
German 250 Stereo Vocal Plate
German 250 Stereo Vox Magic 2
German 250 Stereo Vox Magic 3
German 250 Stereo Vox Magic
German 250 Stereo Vox Tap Echo
German 250 Stereo Wide Brass Room Plate 2
German 250 Stereo Wide Brass Room Plate 3
German 250 Stereo Wide Brass Room Plate

List of gear sampled in the Convology XT libraries

80s-90s DSP1 Basic

100 Yamaha R-100 Reverb Processor
1202 Zoom Studio 1202
3D DOD Dimension 3 Digital Effects Processor
501 Vermona PDD 501 Programmable Digital Delay
D128 Digitech DSP 128 Plus
Dfex Peavey Dual DeltaFex Multi-Effects Processor
G-5 Sony HR GP-5 Guitar Processor
Multi ARC MultiVerb LT 16-bit Digital Multiple Effects Processor
Quad Alesis QuadraVerb 20k Bandwidth Simultaneous Digital Effects Processor

80s-90s DSP2 Classic

880 Roland R-880 Digital Reverb w/ GC-8 Controller
D-4 Ensoniq DP/4 Parallel Effects Processor
D2000 Korg DRV-2000 Digital Reverb
DE-5 Roland DEP-5 Digital Effects Processor
E3000 Roland SDE-3000 Digital Delay
K-P8 Kurzweil KSP8 Multichannel Effects Processor
M200 Lexicon Model 200 Digital Reverberator
M300 Lexicon 300 Digital Effects System
P15 Dynacord DRP-15 Effects Processor
R7 Yamaha REV 7 Digital Reverberator
Roc Rocktron INTELLIFEX On-Line Guitar Effects Processor Rack
S2000 Roland SRV-2000 MIDI Digital Reverb
V23 Dynacord VRS 23
V77 Sony DPS-V77 Multi-Effect Processor
X16 AMS RMX16 Digital Reverberation System

80s-90s DSP3 Pro

68 AKG Acoustics ADR 68K Digital Reverb
2016 Eventide SP2016 Signal Processor
3000 Eventide H3000-D/SE Ultra-Harmonizer
3500 Eventide H3500 Dynamic Ultra-Harmonizer
780 Klark Teknik DN780
Rum Kurzweil Rumour Stereo Reverb Processor
224 Lexicon 224XL Digital Reverberator
300 Lexicon 300L Digital Effects System
480 Lexicon 480L Digital Reverb Processor
960 Lexicon 960L Digital Effects System
Q-S Quantec Room Simulator QRS XL
2000 TC Electronic M2000 Multi-Effect Unit
4000 TC Electronic M3000 Reverb Processor and Multi Effect Unit
990 Yamaha SPX990 Professional Multi-Effect Processor
2402 Quantec Yardstick 2402/F

Echo Space

201 Roland RE-201 Space Echo
282 Ursa Major SST-282 Space Station
301 Roland RE-301 Chorus Echo
312 Multivox MX-312 Multi Echo
EchP Maestro Echoplex EP-1 Tape Delay
EchP-2 Maestro Echoplex EP-2 Tape Delay
GermanEch Dynacord Echocord Super 62
Oil Can Delay Gibson GA-4RE Oil Can (Tel Rey) Tube Reverb Echo
Tape Echo Fulltone Tube Tape Echo

Plates

Aud Audicon The Plate II by Lawson
Bri Brick Plate Reverb
Ecopl I Ecoplate I
Ecopl II Ecoplate II
Ecopl III Ecoplate III
German 140 EMT 140 Plate Reverb
German 240 EMT 240 Gold Foil Plate Reverb
Laws Plate Lawson Plate
S4000 Stocktronics RX 4000 Plate Reverb

Springs Bright

111 Orban 111B Dual Spring Reverb
121 MicMix Master Room CSR Series Reverberation System
710 Kay Model 710 Reverb Unit
2600 ARP 2600 model 2600 Analog Synthesizer
Austrian 5 AKG BX5 Stereo Spring Reverb
Austrian 10 AKG BX10 Stereo Spring Reverb
C-R MicMix Master Room Super C Stereo Spring Reverb
Pro V Univox U3R ProVerb Spring Reverb & Preamp
R-1 Vesta-Fire RV-1 Spring Reverb
T-2 Traynor TR-2 Reverb
Tel Telefunken EchoMixer
ValveV Peavey Valveverb
Verb K-10 Fisher SpaceXspander

Springs Boingy

3 Spring Accutronics
MP-4 Ace Tone MP-4 Echo Mixer
62-901 Airline 62-9019B Tube Spring Reverb
Rev Plus Alamo Fiesta 2573 Vibro Champ Amp
659 Fairchild 659A Reverbertron – Dynamic Reverberation System
10 Vintage Kay Model 710 Reverb Unit
Fos 3180 Fostex Model 3180 Reverb Unit
636 Soundgas Type 636 (Grampian) Spring Reverb
844 Olson RA-844 Solid State Reverberation Amplifier
Pro Verb Realistic Spring Reverb Tank
100 Boss RX 100 Reverb Box Effects Unit
E-100 Unicord Univerb

Springs Warm

111B Orban Spring Reverb 111b
4400 Tapco 4400 Spring Reverb
4500 ElectroVoice EVT4500
20 AKG BX20 Spring Reverb
25 AKG BX25 Spring Reverb
Brit Spring Bandive Great British Spring
X305 MicMix Master Room XL 305
V-2 Vesta Fire RV-2 2-Channel Spring Reverb
F-2 Furman RV-1 (could be RV2 but picture is of RV-1)
S Reverb Supro Reverberation Unit

Vintage Amps

1954 B & J Serenader Suitcase Tube Amplifier
1957 1957 Gretsch 6161 Electromatic Dual Twin
1958 Classic Vox Heritage Collection AC30H2 Handwired Guitar Combo Amplifier
1958 Fender Champ 5F1
1962 Amp Marshall 2060 Mercury 1x12 Guitar Combo Amplifier
1962 Classic Vox AC-30/6 Twin 3-Channel 30-Watt 2x12″ Guitar Combo
1964 Gretsch 6150
1965 Fender Twin Reverb (Silverface)
1966 Gibson Scout GA-17RVT Tube Amp
1968 Fender Twin Reverb (Silverface)
1969 Sound City Concord
1970 Fender Deluxe (Brownface)
1973 Ampeg VT-40 60 watt 2 channel 4x10 combo
1977 Marshall Lead 12
1985 Orange Crush 35w Guitar Combo
1987 Marshall 50W tube head through 4x12 cab
1996 Fender Prosonic 60-Watt 2x10

Vintage German DSP

German 245 EMT 245 Digital Reverb
German 246 EMT 246 Digital Reverb
German 248 EMT 248 Digital Audio Processor
German 250 EMT 250 Digital Reverb

True Stereo 1

480 Lexicon 480L Digital Reverb Processor
91 Lexicon PCM91 Digital Effects Processor
960 Lexicon 960L Digital Effects System
L-1 Lexicon LXP-1 MultiEffects Processing Module

True Stereo 2

330 Roland SRV-330 Dimensional Space Reverb
55 Sony DPS-V55 Multi Effects Processor
990 Yamaha SPX 990 Effects Processor
One TC Electronic M-One XL 24-Bit Dual Engine / Effects Processor

True Stereo 3

300 Lexicon 300
3000 Korg DRV-3000
4000 TC Electronic Reverb 4000
KSP8 Kurzweil KSP8

True Stereo 4

Austrian 5 AKG BX5 Spring Reverb
Austrian 10 AKG BX10 Spring Reverb
Austrian 15 AKG BX15 Spring Reverb
Austrian 20 AKG BX20 Spring Reverb
German 140 EMT 140 Plate Reverb
German 240 EMT 240 Gold Foil Plate Reverb
MstRm MicMix MasterRoom Spring Reverb